Statements (38)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:artwork
|
| gptkbp:bfsLayer |
5
|
| gptkbp:bfsParent |
gptkb:Aleksei_K._Tolstoy
|
| gptkbp:associated_with |
gptkb:Vladimir_Mayakovsky
gptkb:Velimir_Khlebnikov gptkb:David_Burliuk |
| https://www.w3.org/2000/01/rdf-schema#label |
Russian futurism
|
| gptkbp:influenced |
Soviet art
|
| gptkbp:influenced_by |
Italian futurism
|
| gptkbp:is_available_in |
1920s
|
| gptkbp:is_characterized_by |
embrace of technology
focus on speed and modernity rejection of the past |
| gptkbp:is_promoted_by |
new forms of expression
|
| gptkbp:is_symbolic_of |
gptkb:painting
gptkb:theatre gptkb:poet |
| gptkbp:key |
new technologies
collectivism dynamism futuristic aesthetics revolutionary spirit the role of the artist in society anti-bourgeois sentiment visual poetry art as a weapon the future as a theme the use of collage the use of neologisms transrational language celebration of urban life the concept of the 'new man' the use of sound in poetry |
| gptkbp:notable_work |
gptkb:The_Victory_over_the_Sun
The Radio of the Future A Slap in the Face of Public Taste |
| gptkbp:origin |
gptkb:Russia
|
| gptkbp:premiered_on |
early 20th century
|