Properties (51)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
art exhibition
|
| gptkbp:artwork |
over 1000
|
| gptkbp:attendance |
high
|
| gptkbp:criticism |
positive
|
| gptkbp:cultural_significance |
reflected national identity
|
| gptkbp:duration |
several months
|
| gptkbp:events |
gptkb:Moscow_Manege
|
| gptkbp:exhibits |
published
national exhibition included artist biographies included historical context included artwork descriptions included critical essays |
| gptkbp:historicalContext |
pre-revolutionary_Russia
|
| https://www.w3.org/2000/01/rdf-schema#label |
Russian Art Exhibition 1896
|
| gptkbp:impact |
promoted_Russian_art_internationally
|
| gptkbp:influenced |
Russian_art_movement
|
| gptkbp:is_featured_in |
painting
sculpture photography decorative arts graphic arts |
| gptkbp:legacy |
inspired future exhibitions
|
| gptkbp:location |
gptkb:Moscow
|
| gptkbp:movement |
gptkb:Russian_avant-garde
Modernism Peredvizhniki |
| gptkbp:notable_artist |
gptkb:Ilya_Repin
gptkb:Mikhail_Nesterov gptkb:Vasily_Surikov gptkb:Ivan_Shishkin gptkb:Konstantin_Korovin |
| gptkbp:notable_member |
intellectuals
art collectors politicians art critics members of the aristocracy |
| gptkbp:notableWork |
gptkb:The_Holy_Trinity
gptkb:The_Volga_Bargemen The Last Supper The Rooks Have Come Back The_Morning_of_the_Streltsy_Execution |
| gptkbp:organizer |
gptkb:Imperial_Academy_of_Arts
|
| gptkbp:significance |
showcased_Russian_artists
|
| gptkbp:sponsor |
gptkb:Russian_government
private patrons |
| gptkbp:style |
Impressionism
Realism Symbolism |
| gptkbp:theme |
Russian_culture
|
| gptkbp:year |
1896
|