|
gptkbp:instance_of
|
gptkb:novel
|
|
gptkbp:bfsLayer
|
4
|
|
gptkbp:bfsParent
|
gptkb:Be_My_Baby
gptkb:Pressure_Machine_Tour
gptkb:Belinda_Jo_Carlisle
|
|
gptkbp:adaptation
|
gptkb:television_series
gptkb:theatre
gptkb:film
|
|
gptkbp:author
|
gptkb:Yukio_Mishima
|
|
gptkbp:awards
|
gptkb:none
|
|
gptkbp:character
|
gptkb:Kiyoaki_Matsugae
gptkb:Mitsuko
Satoko
Tōru
|
|
gptkbp:character_development
|
gptkb:launch_complex
|
|
gptkbp:critical_reception
|
mixed
|
|
gptkbp:cultural_impact
|
gptkb:significant
|
|
gptkbp:director
|
gptkb:Yoshishige_Yoshida
|
|
gptkbp:followed_by
|
gptkb:The_Temple_of_Dawn
|
|
gptkbp:genre
|
literary fiction
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Runaway Horses
|
|
gptkbp:influences
|
gptkb:Artist
Western literature
|
|
gptkbp:inspiration
|
gptkb:philosopher
Japanese history
Mishima's life
|
|
gptkbp:is_critical_for
|
gptkb:existentialism
gptkb:modernism
post-war Japan
|
|
gptkbp:isbn
|
978-4-10-100001-0
|
|
gptkbp:language
|
gptkb:Japanese
|
|
gptkbp:launch_site
|
gptkb:Tokyo
|
|
gptkbp:main_character
|
Isobe
|
|
gptkbp:motif
|
gptkb:betrayal
gptkb:cemetery
love
|
|
gptkbp:narrative_style
|
stream of consciousness
third-person
symbolism
flashbacks
|
|
gptkbp:page_count
|
320
|
|
gptkbp:preceded_by
|
gptkb:Spring_Snow
|
|
gptkbp:published_by
|
gptkb:1984
|
|
gptkbp:publisher
|
gptkb:Shinchosha
|
|
gptkbp:reader_demographic
|
negative
positive
mixed
|
|
gptkbp:release_year
|
gptkb:1990
|
|
gptkbp:series
|
gptkb:The_Sea_of_Fertility
|
|
gptkbp:setting
|
gptkb:Japan
early 20th century
|
|
gptkbp:symbolism
|
gptkb:horse_race
gptkb:political_movement
freedom
|
|
gptkbp:themes
|
gptkb:flag
gptkb:organization
idealism
|
|
gptkbp:translated_into
|
gptkb:Runaway_Horses
Meredith Weatherby
|