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gptkbp:instanceOf
|
play
|
|
gptkbp:adaptedInto
|
film
stage musical
radio play
|
|
gptkbp:awards
|
gptkb:Tony_Award_for_Best_Play
gptkb:New_York_Drama_Critics'_Circle_Award
|
|
gptkbp:basedOn
|
Hamlet
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gptkbp:filmFestival
|
1990
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gptkbp:follows
|
Rosencrantz
Guildenstern
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gptkbp:genre
|
tragicomedy
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|
https://www.w3.org/2000/01/rdf-schema#label
|
Rosencrantz and Guildenstern Are Dead
|
|
gptkbp:influenced
|
Theater of the Absurd
|
|
gptkbp:influencedBy
|
gptkb:Samuel_Beckett
Absurdist Theatre
|
|
gptkbp:inspiredBy
|
gptkb:Shakespeare's_Hamlet
|
|
gptkbp:notableFeature
|
gptkb:Claudius
gptkb:Ophelia
Hamlet
The Player
Gertrude
Rosencrantz
Guildenstern
|
|
gptkbp:notableQuote
|
“Life is a gamble.”
“To be or not to be, that is the question.”
“We are all just players.”
“We are such stuff as dreams are made on.”
“What a fine piece of work is man.”
|
|
gptkbp:officialLanguage
|
English
|
|
gptkbp:performedBy
|
gptkb:National_Theatre
|
|
gptkbp:premieredOn
|
1966
|
|
gptkbp:publishedBy
|
Faber and Faber
|
|
gptkbp:publishedIn
|
1967
|
|
gptkbp:setIn
|
gptkb:Denmark
|
|
gptkbp:theme
|
existentialism
identity
fate
|
|
gptkbp:translatedInto
|
gptkb:Spanish
French
German
Italian
Japanese
|
|
gptkbp:wrote
|
Tom Stoppard
|