Statements (47)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:musical_composition
|
| gptkbp:associated_with |
the Rosary
|
| gptkbp:characteristic |
ornamentation
dynamics expressive melodies complex counterpoint |
| gptkbp:composer |
gptkb:Heinrich_Biber
|
| gptkbp:cultural_impact |
performed in concert halls
influenced sacred music inspired religious devotion featured in festivals analyzed in academic studies celebrated in music history studied in musicology part of educational curriculum part of violin repertoire revived in modern performances recorded in various formats performed in liturgical settings performed in sacred spaces performed by early music ensembles influenced violin technique associated with Baroque festivals |
| gptkbp:cultural_significance |
spiritual reflection
|
| gptkbp:dedicated_to |
gptkb:the_Virgin_Mary
|
| gptkbp:first_performance |
1676
|
| gptkbp:form |
gptkb:piano
|
| gptkbp:genre |
Baroque music
|
| gptkbp:historical_context |
gptkb:Counter-Reformation
|
| https://www.w3.org/2000/01/rdf-schema#label |
Rosary Sonatas
|
| gptkbp:influenced |
later composers
|
| gptkbp:influenced_by |
gptkb:devotion
|
| gptkbp:instrumentation |
violin and continuo
|
| gptkbp:instruments |
gptkb:Theotokos
gptkb:organ harpsichord |
| gptkbp:notable_for |
use of scordatura
|
| gptkbp:notable_recordings |
Biber: Rosary Sonatas by Andrew Manze
|
| gptkbp:performance |
solo and ensemble
|
| gptkbp:performers |
gptkb:15
|
| gptkbp:published_in |
gptkb:Nuremberg
|
| gptkbp:recorded_by |
various artists
|
| gptkbp:style |
gptkb:Baroque
|
| gptkbp:thematic_element |
mysteries of the Rosary
|
| gptkbp:written_in |
1676
|
| gptkbp:bfsParent |
gptkb:Heinrich_Biber
|
| gptkbp:bfsLayer |
6
|