Statements (68)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:opera
gptkb:character |
| gptkbp:adaptations |
adapted into various formats
|
| gptkbp:appears_in |
gptkb:opera
|
| gptkbp:artistic_innovation |
uses innovative vocal techniques.
|
| gptkbp:audience |
popular among opera enthusiasts
|
| gptkbp:based_on |
The history of the Lombards
|
| gptkbp:character_arc |
Rodelinda's journey of resilience
|
| gptkbp:character_development |
complex characters
|
| gptkbp:character_motivation |
characters driven by love
|
| gptkbp:character_relationships |
Rodelinda and Bertarido
Rodelinda and Grimoaldo |
| gptkbp:child |
Garibaldo
|
| gptkbp:composer |
gptkb:George_Frideric_Handel
|
| gptkbp:created_by |
gptkb:George_Frideric_Handel
|
| gptkbp:critical_reception |
well-received by audiences and critics
|
| gptkbp:cultural_impact |
influenced Baroque music
|
| gptkbp:cultural_references |
referenced in literature and art
|
| gptkbp:cultural_significance |
important work in Baroque opera
important in the Baroque opera repertoire |
| gptkbp:demographics |
appeals to a wide range of audiences
|
| gptkbp:director |
gptkb:Peter_Sellars
|
| gptkbp:first_performance |
gptkb:King's_Theatre,_London
1725 |
| gptkbp:gender |
gptkb:Female
|
| gptkbp:genre |
dramma per musica
|
| gptkbp:historical_context |
based on historical figures
reflects the politics of the time |
| gptkbp:historical_figures |
Rodelinda and Bertarido based on real people
|
| https://www.w3.org/2000/01/rdf-schema#label |
Rodelinda
|
| gptkbp:influence |
inspired later operas
|
| gptkbp:influenced_artists |
inspired future opera composers
|
| gptkbp:instruments |
harpsichord, strings
|
| gptkbp:is_married_to |
gptkb:Bertarido
|
| gptkbp:language |
gptkb:Italian
|
| gptkbp:length |
approximately 3 hours
|
| gptkbp:librettist |
Giacomo Rossi
|
| gptkbp:main_character |
gptkb:Rodelinda
|
| gptkbp:mother |
Flavio
|
| gptkbp:motif |
loyalty and power
|
| gptkbp:music_style |
Baroque music
aria and recitative format high stakes and emotional conflict three acts with a clear narrative arc |
| gptkbp:notable_aria |
Dove sei, amato bene?
L'amerò, sarò costante Se bramate, un dolce affetto |
| gptkbp:notable_collaborations |
Io ti bacio
|
| gptkbp:notable_conductors |
gptkb:John_Eliot_Gardiner
|
| gptkbp:notable_performers |
gptkb:Renée_Fleming
|
| gptkbp:notable_production |
staged in major opera festivals
|
| gptkbp:number_of_acts |
gptkb:3
|
| gptkbp:orchestration |
strings and continuo
|
| gptkbp:performance |
loosely based on history
performed since the 18th century |
| gptkbp:performance_tradition |
performed in opera houses worldwide
|
| gptkbp:plot |
Rodelinda's struggle for her husband's throne
|
| gptkbp:premiere |
1725
|
| gptkbp:recordings |
numerous recordings available
|
| gptkbp:revival |
frequently performed in modern times
|
| gptkbp:scholarly_analysis |
subject of academic studies
|
| gptkbp:setting |
ancient Lombardy
|
| gptkbp:thematic_element |
love and betrayal
explores themes of justice |
| gptkbp:theme |
recurring motifs throughout the opera
|
| gptkbp:title |
gptkb:Rodelinda,_regina_de'_Longobardi
|
| gptkbp:bfsParent |
gptkb:George_Frideric_Handel
|
| gptkbp:bfsLayer |
5
|