|
gptkbp:instanceOf
|
song
|
|
gptkbp:adjacentTo
|
Various artists
|
|
gptkbp:album
|
gptkb:Rock_Around_the_Clock
|
|
gptkbp:artist
|
gptkb:Bill_Haley_&_His_Comets
|
|
gptkbp:associatedAct
|
The Comets
|
|
gptkbp:associatedWith
|
1950s rock and roll era
|
|
gptkbp:certifications
|
Gold record
|
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gptkbp:chartPerformance
|
gptkb:Billboard_Hot_100
|
|
gptkbp:citedBy
|
music historians
|
|
gptkbp:culturalHeritage
|
Yes
|
|
gptkbp:culturalImpact
|
teenage culture in the 1950s
|
|
gptkbp:culturalSignificance
|
first rock and roll song to top charts
|
|
gptkbp:depictedIn
|
American Graffiti
|
|
gptkbp:duration
|
3 minutes
|
|
gptkbp:famousFor
|
dance halls
|
|
gptkbp:featuredIn
|
Blackboard Jungle
|
|
gptkbp:firstPublished
|
single
|
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gptkbp:genre
|
rock and roll
|
|
gptkbp:hasPlayer
|
1955
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Rock Around the Clock
|
|
gptkbp:influence
|
popularizing rock and roll
|
|
gptkbp:influenced
|
gptkb:Chuck_Berry
gptkb:Elvis_Presley
gptkb:Little_Richard
gptkb:The_Beatles
Buddy Holly
rock music
subsequent rock music
|
|
gptkbp:influencedBy
|
rhythm and blues
|
|
gptkbp:inspiration
|
later rock musicians
|
|
gptkbp:keyIssues
|
A major
|
|
gptkbp:legacy
|
considered a classic
|
|
gptkbp:length
|
3:00
|
|
gptkbp:livePerformance
|
gptkb:Bill_Haley_&_His_Comets
|
|
gptkbp:musicStyle
|
upbeat
|
|
gptkbp:musicVideo
|
Yes
|
|
gptkbp:notable_artist
|
'One, two, three o'clock, four o'clock rock'
|
|
gptkbp:notableFeature
|
gptkb:The_Mamas_&_The_Papas
1955
|
|
gptkbp:performedBy
|
gptkb:Bill_Haley
concerts
|
|
gptkbp:produces
|
gptkb:Milt_Gabler
|
|
gptkbp:recordings
|
gptkb:Pythian_Temple
1954
|
|
gptkbp:recordLabel
|
gptkb:Decca_Records
|
|
gptkbp:releasedIn
|
gptkb:United_States
|
|
gptkbp:releaseYear
|
1954
|
|
gptkbp:remake
|
Yes
|
|
gptkbp:speed
|
bpm 168
|
|
gptkbp:wrote
|
gptkb:Max_C._Freedman
gptkb:James_E._Myers
|