gptkbp:instanceOf
|
film director
|
gptkbp:activeYears
|
1913
1938
|
gptkbp:associatedAct
|
Expressionism
|
gptkbp:awards
|
Honorary_Award_at_the_1930_Venice_Film_Festival
|
gptkbp:birthDate
|
April 23, 1873
|
gptkbp:child
|
gptkb:Rudolf_Wiene
|
gptkbp:deathDate
|
July 17, 1938
|
gptkbp:filmography
|
gptkb:The_Love_of_Jeanne_Ney
gptkb:The_Last_of_Mrs._Cheyney
gptkb:The_Cabinet_of_Dr._Caligari
gptkb:The_Man_Who_Knew_Too_Much
gptkb:The_Man_Who_Was_Sherlock_Holmes
gptkb:The_Student_of_Prague
The Phantom of the Opera
The Hands of Orlac
The Woman in the Window
The Night of the Hunter
The Last Laugh
The Devil's Ballad
The Great Love
The Black Spider
The Last Will of Dr. Mabuse
The_Cabinet_of_Dr._Caligari_(1920)
|
gptkbp:genre
|
Horror
|
https://www.w3.org/2000/01/rdf-schema#label
|
Robert Wiene
|
gptkbp:influenced
|
gptkb:Tim_Burton
|
gptkbp:influencedBy
|
gptkb:Fritz_Lang
|
gptkbp:nationality
|
German
|
gptkbp:notableWork
|
gptkb:The_Cabinet_of_Dr._Caligari
|
gptkbp:occupation
|
screenwriter
film producer
|
gptkbp:placeOfBirth
|
Düsseldorf,_Germany
|
gptkbp:placeOfDeath
|
gptkb:Paris,_France
|
gptkbp:spouse
|
Hedwig_Wiene
|