|
gptkbp:instance_of
|
gptkb:Film_Director
|
|
gptkbp:active_years_end
|
gptkb:1976
|
|
gptkbp:active_years_start
|
1950
|
|
gptkbp:associated_act
|
gptkb:Satyajit_Ray
gptkb:Mrinal_Sen
|
|
gptkbp:award
|
gptkb:Academy_Awards
|
|
gptkbp:birth_date
|
1925-11-04
|
|
gptkbp:children
|
gptkb:Sharmila_Ghatak
|
|
gptkbp:cultural_impact
|
Influence on World Cinema
Influence on Bengali Cinema
Influence on Indian Cinema
|
|
gptkbp:death_date
|
1976-02-06
|
|
gptkbp:education
|
gptkb:Bengal_Film_Institute
gptkb:University_of_Calcutta
|
|
gptkbp:film
|
gptkb:1974
gptkb:Jukti_Takko_Aar_Gappo
|
|
gptkbp:film_debut
|
gptkb:1952
Nagarik
|
|
gptkbp:film_technique
|
gptkb:Symbolism
Social Commentary
Historical Contextualization
Political Commentary
Exploration of Identity
Cinematic Innovation
Character-driven Stories
Emotional Depth
Cultural Reflection
Critique of Society
Narrative Complexity
Visual Poetry
Non-linear Narrative
Use of Folk Elements
Cinematic Realism
Depiction of Marginalized Communities
Emphasis on Music
Focus on Human Relationships
|
|
gptkbp:genre
|
gptkb:drama
gptkb:film
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Ritwik Ghatak
|
|
gptkbp:influenced
|
gptkb:Indian_Parallel_Cinema
|
|
gptkbp:influenced_by
|
gptkb:Bertolt_Brecht
gptkb:Jean-Paul_Sartre
|
|
gptkbp:known_for
|
gptkb:Social_Realism
gptkb:Melodrama
Cinematic Style
|
|
gptkbp:language
|
Bengali
|
|
gptkbp:nationality
|
Indian
|
|
gptkbp:notable_work
|
gptkb:Komal_Gandhar
gptkb:Meghe_Dhaka_Tara
Subarnarekha
|
|
gptkbp:occupation
|
gptkb:Film_Director
gptkb:Screenwriter
|
|
gptkbp:place_of_birth
|
Dacca
|
|
gptkbp:place_of_death
|
gptkb:Calcutta
|
|
gptkbp:posthumous_award_year
|
gptkb:1993
|
|
gptkbp:posthumous_recognition
|
gptkb:Dadasaheb_Phalke_Award
|
|
gptkbp:spouse
|
Gauri Ghatak
|
|
gptkbp:bfsParent
|
gptkb:Satyajit_Ray
gptkb:Nandita_Das
gptkb:Deepa_Mehta
gptkb:Kiran_Rao
|
|
gptkbp:bfsLayer
|
4
|