Statements (55)
Predicate | Object |
---|---|
gptkbp:instance_of |
gptkb:ballet
|
gptkbp:adaptations |
adapted into various art forms
|
gptkbp:choreography |
gptkb:Vaslav_Nijinsky
|
gptkbp:composer |
gptkb:Igor_Stravinsky
|
gptkbp:cultural_impact |
caused a riot at its premiere
|
gptkbp:cultural_significance |
a landmark in 20th-century music
|
gptkbp:dedication |
to the memory of the composer’s friend
|
gptkbp:first_performance |
performed by the Ballets Russes
|
gptkbp:genre |
neoclassical ballet
|
https://www.w3.org/2000/01/rdf-schema#label |
Rites of Spring
|
gptkbp:influence |
modern dance
|
gptkbp:influenced |
gptkb:jazz_music
film scores popular music contemporary classical composers |
gptkbp:inspired |
gptkb:theater_productions
dance competitions numerous adaptations |
gptkbp:notable_aspect |
its rhythmic complexity
its emotional intensity its historical context its orchestral color its dramatic narrative its cultural commentary its use of silence its thematic material its use of folk melodies its reception history its avant-garde nature its climactic ending its legacy in music education its role in the development of ballet its use of choreography |
gptkbp:notable_feature |
complex rhythms
dissonant harmonies |
gptkbp:notable_for |
its innovative use of rhythm
|
gptkbp:notable_influence |
gptkb:The_Sacrifice
gptkb:The_Adoration_of_the_Earth |
gptkbp:orchestration |
large orchestra
|
gptkbp:original_language |
gptkb:French
|
gptkbp:performed_by |
gptkb:Ballets_Russes
|
gptkbp:performed_in |
worldwide
|
gptkbp:premiere_date |
1913
|
gptkbp:premiere_location |
gptkb:Théâtre_des_Champs-Élysées
|
gptkbp:recordings |
many orchestral recordings exist
|
gptkbp:revival |
frequently revived in ballet companies
|
gptkbp:significance |
revolutionary in music history
|
gptkbp:structure |
two parts
|
gptkbp:style |
primitivism
|
gptkbp:theme |
pagan rituals
|
gptkbp:bfsParent |
gptkb:Sunny_Day_Real_Estate
gptkb:Proserpina gptkb:Fugazi gptkb:Minor_Threat |
gptkbp:bfsLayer |
5
|