Statements (53)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:ballet
|
| gptkbp:bfsLayer |
4
|
| gptkbp:bfsParent |
gptkb:Sunny_Day_Real_Estate
gptkb:Proserpina |
| gptkbp:adaptation |
adapted into various art forms
|
| gptkbp:choreography |
gptkb:Vaslav_Nijinsky
|
| gptkbp:composer |
gptkb:Igor_Stravinsky
|
| gptkbp:cultural_impact |
caused a riot at its premiere
|
| gptkbp:cultural_significance |
a landmark in 20th-century music
|
| gptkbp:dedication |
to the memory of the composer’s friend
|
| gptkbp:filming_location |
gptkb:Théâtre_des_Champs-Élysées
|
| gptkbp:first_performance |
performed by the Ballets Russes
|
| gptkbp:genre |
neoclassical ballet
|
| https://www.w3.org/2000/01/rdf-schema#label |
Rites of Spring
|
| gptkbp:influence |
modern dance
|
| gptkbp:influenced |
gptkb:orchestra
film scores popular music contemporary classical composers |
| gptkbp:inspired |
gptkb:theatre
dance competitions numerous adaptations |
| gptkbp:is_influential_in |
gptkb:The_Sacrifice
gptkb:The_Adoration_of_the_Earth |
| gptkbp:notable_feature |
complex rhythms
its rhythmic complexity its emotional intensity its historical context its orchestral color its dramatic narrative dissonant harmonies its cultural commentary its use of silence its thematic material its use of folk melodies its reception history its avant-garde nature its climactic ending its legacy in music education its role in the development of ballet its use of choreography |
| gptkbp:notable_for |
its innovative use of rhythm
|
| gptkbp:notable_recordings |
many orchestral recordings exist
|
| gptkbp:official_language |
gptkb:French
|
| gptkbp:orchestration |
large orchestra
|
| gptkbp:performed_by |
gptkb:Ballets_Russes
worldwide |
| gptkbp:premiere_date |
1913
|
| gptkbp:reunion |
frequently revived in ballet companies
|
| gptkbp:significance |
revolutionary in music history
|
| gptkbp:social_structure |
two parts
|
| gptkbp:style |
primitivism
|
| gptkbp:theme |
pagan rituals
|