|
gptkbp:instance_of
|
gptkb:opera
|
|
gptkbp:action
|
three acts
|
|
gptkbp:adaptation
|
gptkb:film_adaptations
musical adaptations
ballet adaptations
|
|
gptkbp:adaptations
|
gptkb:film_adaptations
gptkb:novel_adaptations
musical adaptations
ballet adaptations
comic adaptations
|
|
gptkbp:adapted_into
|
gptkb:play
film and stage
|
|
gptkbp:awards
|
multiple awards won
|
|
gptkbp:based_on
|
gptkb:Le_roi_s'amuse
Victor Hugo's play ' Le roi s'amuse'
Victor Hugo's play
|
|
gptkbp:character
|
gptkb:Duke_of_Somerset
gptkb:Gilda
gptkb:Maddalena
gptkb:Sparafucile
gptkb:Count_Monterone
|
|
gptkbp:character_relationships
|
Gilda and Duke of Mantua
Rigoletto and Duke of Mantua
Rigoletto and Gilda
|
|
gptkbp:character_type
|
gptkb:tragic_figure
father figure
|
|
gptkbp:composed_by
|
gptkb:Giuseppe_Verdi
|
|
gptkbp:composed_of
|
gptkb:Giuseppe_Verdi
|
|
gptkbp:composer
|
gptkb:Giuseppe_Verdi
|
|
gptkbp:created_by
|
gptkb:Giuseppe_Verdi
|
|
gptkbp:critical_reception
|
widely acclaimed
highly acclaimed
considered a masterpiece
|
|
gptkbp:cultural_impact
|
widely performed
performed worldwide
adapted into films
inspired other operas
featured in popular culture
influenced other operas
influential in opera history
|
|
gptkbp:cultural_significance
|
part of standard operatic repertoire
|
|
gptkbp:duration
|
approximately 2 hours
|
|
gptkbp:explores_themes
|
gptkb:jealousy
|
|
gptkbp:famous_quartet
|
Sì, vendetta, tremenda vendetta
|
|
gptkbp:features
|
the aria ' La donna è mobile'
duet between Rigoletto and Gilda
|
|
gptkbp:features_character
|
gptkb:Duke_of_Somerset
gptkb:Rigoletto
gptkb:Gilda
gptkb:Maddalena
gptkb:Sparafucile
|
|
gptkbp:first_performance
|
gptkb:La_Fenice
gptkb:Teatro_La_Fenice
March 11, 1851
|
|
gptkbp:genre
|
gptkb:tragedy
|
|
gptkbp:has
|
three acts
|
|
gptkbp:has_influence_on
|
modern opera
|
|
gptkbp:has_relationship_with
|
gptkb:Gilda
|
|
gptkbp:historical_context
|
explores themes of power and corruption
set in the 16th century
Italian unification period
reflects societal issues of the time
examines the role of women in society
depicts the life of a court jester
|
|
gptkbp:historical_figure
|
gptkb:Duke_of_Somerset
gptkb:Rigoletto
gptkb:Gilda
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Rigoletto
|
|
gptkbp:influence
|
inspired other composers
|
|
gptkbp:influenced_artists
|
gptkb:Benjamin_Britten
gptkb:Gustav_Mahler
gptkb:Richard_Wagner
gptkb:Bernstein
gptkb:Giacomo_Puccini
|
|
gptkbp:influenced_by
|
gptkb:opera
gptkb:Shakespeare's_works
gptkb:Romanticism
Italian opera tradition
French opera tradition
|
|
gptkbp:influences
|
gptkb:opera
gptkb:Verismo
influenced later operas
|
|
gptkbp:inspiration
|
Verdi's personal experiences
|
|
gptkbp:is_a
|
gptkb:tragic_figure
|
|
gptkbp:is_about
|
gptkb:revenge
|
|
gptkbp:is_based_on
|
Victor Hugo's play ' Le roi s'amuse'
|
|
gptkbp:is_considered_as
|
one of Verdi's masterpieces
|
|
gptkbp:is_famous_for
|
its music
|
|
gptkbp:is_known_for
|
its dramatic plot
|
|
gptkbp:is_part_of
|
Italian opera repertoire
Rigoletto (opera)
|
|
gptkbp:is_set_in
|
gptkb:Mantua
gptkb:16th_century_Mantua
gptkb:Renaissance
|
|
gptkbp:language
|
gptkb:Italian
|
|
gptkbp:librettist
|
gptkb:Francesco_Maria_Piave
|
|
gptkbp:libretto
|
gptkb:Francesco_Maria_Piave
|
|
gptkbp:main_character
|
gptkb:Duke_of_Somerset
gptkb:Rigoletto
gptkb:Gilda
|
|
gptkbp:music_style
|
gptkb:Romanticism
|
|
gptkbp:notable_aria
|
gptkb:Caro_nome
gptkb:Cortigiani,_vil_razza_dannata
gptkb:La_donna_è_mobile
|
|
gptkbp:notable_bands
|
Bella figlia dell'amore
|
|
gptkbp:notable_character
|
gptkb:Duke_of_Somerset
gptkb:Rigoletto
gptkb:Gilda
gptkb:Maddalena
gptkb:Sparafucile
|
|
gptkbp:notable_collaborations
|
gptkb:Caro_nome
Bella figlia dell'amore
' Duo de la donna e del duca'
' Della mia bella incognita'
' Tutte le feste al tempio'
|
|
gptkbp:notable_performers
|
gptkb:Anna_Netrebko
gptkb:Diana_Damrau
gptkb:Renata_Tebaldi
gptkb:Renée_Fleming
gptkb:Plácido_Domingo
gptkb:Luciano_Pavarotti
gptkb:Maria_Callas
|
|
gptkbp:notable_production
|
gptkb:San_Diego_Opera
gptkb:Virginia_Opera
gptkb:Pittsburgh_Opera
gptkb:Glastonbury_Festival
gptkb:Bavarian_State_Opera
gptkb:Portland_Opera
gptkb:Palm_Beach_Opera
gptkb:Chicago_Lyric_Opera
gptkb:Teatro_alla_Scala
gptkb:Utah_Opera
gptkb:Lyric_Opera_of_Chicago
gptkb:Opera_Philadelphia
gptkb:Lyric_Opera_of_Kansas_City
gptkb:Canadian_Opera_Company
gptkb:Atlanta_Opera
gptkb:Opera_Australia
gptkb:La_Scala
gptkb:Cincinnati_Opera
gptkb:Royal_Opera_House
gptkb:Syracuse_Opera
gptkb:Vienna_State_Opera
gptkb:Opera_Theatre_of_Saint_Louis
gptkb:Baton_Rouge_Symphony_Orchestra
gptkb:San_Francisco_Opera
gptkb:Nashville_Opera
gptkb:Chautauqua_Opera
gptkb:Opera_Omaha
gptkb:Minnesota_Opera
gptkb:Washington_National_Opera
gptkb:Australian_Opera
gptkb:San_Francisco_Opera_production
gptkb:Opera_North
gptkb:New_Orleans_Opera
gptkb:Opera_San_Jose
gptkb:opera
gptkb:Florida_Grand_Opera
gptkb:Opera_Colorado
gptkb:Des_Moines_Metro_Opera
Royal Opera House production
La Scala production
Metropolitan Opera production
Vienna State Opera production
|
|
gptkbp:notable_scene
|
gptkb:Gilda's_abduction
final scene
the final scene
the court scene
the aria ' La donna è mobile'
Rigoletto's curse
Duke's seduction of Gilda
final scene with Rigoletto and Gilda
the duet between Rigoletto and Gilda
|
|
gptkbp:notable_song
|
Chorus of Assassins
Chorus of Courtiers
Chorus of Villagers
|
|
gptkbp:notable_themes
|
gptkb:betrayal
gptkb:revenge
gptkb:fate
gptkb:identity
gptkb:sacrifice
love
father-daughter relationship
social class disparity
|
|
gptkbp:number_of_acts
|
gptkb:3
three
|
|
gptkbp:orchestration
|
gptkb:orchestra
large orchestra
|
|
gptkbp:performance
|
approximately 2.5 hours
|
|
gptkbp:performance_tradition
|
performed worldwide
|
|
gptkbp:performed_by
|
orchestras
in opera houses
|
|
gptkbp:performed_in
|
gptkb:theater
|
|
gptkbp:premiere
|
1851
|
|
gptkbp:premiere_date
|
1851
1851-03-11
|
|
gptkbp:premiere_location
|
gptkb:La_Fenice
|
|
gptkbp:premiered_on
|
1851
|
|
gptkbp:recordings
|
numerous recordings exist
numerous recordings available
|
|
gptkbp:revived_in
|
numerous productions
|
|
gptkbp:set_in
|
gptkb:Mantua
|
|
gptkbp:setting
|
gptkb:Mantua
gptkb:Mantua,_Italy
|
|
gptkbp:sings
|
duet with Gilda
|
|
gptkbp:symbol
|
gptkb:deception
gptkb:mask
blindness
|
|
gptkbp:thematic_element
|
gptkb:betrayal
gptkb:revenge
gptkb:deception
gptkb:fate
love
social commentary
dark humor
|
|
gptkbp:themes
|
gptkb:betrayal
gptkb:revenge
gptkb:fate
love
|
|
gptkbp:translated_into
|
many languages
|
|
gptkbp:vocal_requirements
|
requires skilled singers
|
|
gptkbp:written_by
|
gptkb:Giuseppe_Verdi
|
|
gptkbp:bfsParent
|
gptkb:Marian_Anderson
gptkb:Bernstein
gptkb:The_Nashville_Opera
|
|
gptkbp:bfsLayer
|
3
|