|
gptkbp:instance_of
|
gptkb:animals
gptkb:mammals
gptkb:play
|
|
gptkbp:adaptation
|
gptkb:television
gptkb:film
|
|
gptkbp:author
|
gptkb:Eugène_Ionesco
|
|
gptkbp:born
|
1 calf
|
|
gptkbp:communication
|
Vocalizations
|
|
gptkbp:conservation_status
|
Critically Endangered
Vulnerable
|
|
gptkbp:critical_reception
|
widely acclaimed
|
|
gptkbp:cultural_impact
|
influenced modern theatre
|
|
gptkbp:cultural_significance
|
Various cultures
|
|
gptkbp:exhibited_at
|
Zoos
|
|
gptkbp:first_performance
|
gptkb:1959
|
|
gptkbp:genre
|
absurdist theatre
|
|
gptkbp:gestation_period
|
15-16 months
|
|
gptkbp:habitat
|
Grasslands
Savannas
|
|
gptkbp:has_adaptation
|
Thick skin for protection
Large body for survival
|
|
gptkbp:has_behavior
|
Solitary
|
|
gptkbp:has_diet
|
gptkb:herbivore
|
|
gptkbp:has_horn_composition
|
Keratin
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Rhinocéros
|
|
gptkbp:influence
|
gptkb:Theater_of_the_Absurd
|
|
gptkbp:inspired_by
|
the rise of fascism
|
|
gptkbp:is_affected_by
|
Climate change
|
|
gptkbp:is_associated_with
|
gptkb:mythology
|
|
gptkbp:is_cited_in
|
gptkb:literature
|
|
gptkbp:is_featured_in
|
gptkb:Documentaries
|
|
gptkbp:is_inhabited_by
|
National parks
Reserves
|
|
gptkbp:is_involved_in
|
Ecological balance
|
|
gptkbp:is_known_for
|
Large size
Thick skin
Unique behavior
Distinctive horn
|
|
gptkbp:is_monitored_by
|
Conservation organizations
|
|
gptkbp:is_part_of
|
gptkb:cultural_heritage
gptkb:ecosystem
Biodiversity
Wildlife tourism
|
|
gptkbp:is_protected_by
|
International laws
|
|
gptkbp:is_represented_in
|
gptkb:artworks
|
|
gptkbp:is_studied_in
|
Wildlife Conservation
|
|
gptkbp:is_subject_to
|
Research studies
|
|
gptkbp:is_symbolic_of
|
Conservation efforts
|
|
gptkbp:is_threatened_by
|
Illegal trade
|
|
gptkbp:language
|
gptkb:French
|
|
gptkbp:lifespan
|
40-50 years
up to 50 years in captivity
|
|
gptkbp:native_to
|
gptkb:Africa
gptkb:Asia
|
|
gptkbp:notable_character
|
gptkb:The_Waitress
gptkb:Jean
Dudard
The Logician
|
|
gptkbp:notable_quote
|
' I am not a rhinoceros!'
|
|
gptkbp:original_language
|
gptkb:French
|
|
gptkbp:performance_style
|
absurdist
|
|
gptkbp:predators
|
gptkb:humans
|
|
gptkbp:premiere_location
|
gptkb:Düsseldorf
|
|
gptkbp:protagonist
|
Berenger
|
|
gptkbp:published_in
|
gptkb:1959
|
|
gptkbp:setting
|
a small town in France
|
|
gptkbp:social_structure
|
False
|
|
gptkbp:species
|
gptkb:Sumatran_Rhinoceros
gptkb:Black_Rhinoceros
gptkb:White_Rhinoceros
gptkb:Javan_Rhinoceros
gptkb:Indian_Rhinoceros
|
|
gptkbp:symbolism
|
humanity's struggle against conformity
rhinoceroses represent conformity
|
|
gptkbp:theme
|
gptkb:totalitarianism
conformity
|
|
gptkbp:threats
|
Habitat Loss
Poaching
|
|
gptkbp:weight
|
up to 2,300 kg
|
|
gptkbp:wildlife
|
gptkb:True
|
|
gptkbp:written_by
|
gptkb:Eugène_Ionesco
|
|
gptkbp:bfsParent
|
gptkb:Eugene_Ionesco
gptkb:Theatre_of_the_Absurd
|
|
gptkbp:bfsLayer
|
4
|