|
gptkbp:instance_of
|
gptkb:film
|
|
gptkbp:based_on
|
a novel by Jim Harrison
|
|
gptkbp:box_office
|
$12 million
|
|
gptkbp:budget
|
$30 million
|
|
gptkbp:character
|
gptkb:Miranda
the antagonist
Michael J.
Tiburcio
|
|
gptkbp:cinematography
|
gptkb:Dariusz_Wolski
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:critical_reception
|
mixed reviews
|
|
gptkbp:cultural_impact
|
cult following
referenced in popular culture
analyzed in film studies
inspired discussions on revenge
|
|
gptkbp:directed_by
|
gptkb:Tony_Scott
|
|
gptkbp:distributor
|
gptkb:Columbia_Pictures
|
|
gptkbp:edited_by
|
gptkb:Chris_Lebenzon
|
|
gptkbp:features
|
themes of revenge
themes of betrayal
|
|
gptkbp:film_score
|
Hans Zimmer's score
|
|
gptkbp:follows
|
the story of a love affair
|
|
gptkbp:genre
|
gptkb:musical
gptkb:High_School
gptkb:film
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Revenge (1992)
|
|
gptkbp:influenced_by
|
Western films
film noir
Tony Scott's style
the works of Jim Harrison
|
|
gptkbp:is_available_on
|
gptkb:DJ
gptkb:film
streaming services
|
|
gptkbp:language
|
English
|
|
gptkbp:music_by
|
gptkb:Hans_Zimmer
|
|
gptkbp:notable_appearance
|
the final confrontation
the opening sequence
the climax
the love scenes
|
|
gptkbp:produced_by
|
gptkb:Tony_Scott
|
|
gptkbp:rating
|
gptkb:R
|
|
gptkbp:release_date
|
April 16, 1992
|
|
gptkbp:released
|
gptkb:1992
|
|
gptkbp:runtime
|
124 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Jim_Harrison
|
|
gptkbp:set_in
|
gptkb:California
gptkb:Mexico
|
|
gptkbp:starring
|
gptkb:Madeline_Stowe
gptkb:Anthony_Quinn
gptkb:Kevin_Costner
|
|
gptkbp:bfsParent
|
gptkb:Kiss
gptkb:KISS
|
|
gptkbp:bfsLayer
|
4
|