Properties (55)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
art movement
|
| gptkbp:associatedWith |
intense colors
exaggerated proportions artificial perspective |
| gptkbp:availableIn |
17th century
|
| gptkbp:characterizedBy |
artificiality
complex poses elongated forms |
| gptkbp:emphasizes |
dramatic lighting
emotional expression unconventional compositions |
| https://www.w3.org/2000/01/rdf-schema#label |
Renaissance Mannerism
|
| gptkbp:illustratedBy |
gptkb:The_Virgin_and_Child_by_Giovanni_Bellini
gptkb:The_Crucifixion_by_Tintoretto gptkb:The_Virgin_and_Child_by_Michelangelo gptkb:The_Virgin_and_Child_by_Raphael gptkb:The_Virgin_and_Child_by_Tintoretto gptkb:The_Virgin_and_Child_by_El_Greco gptkb:The_Virgin_and_Child_by_Parmigianino gptkb:The_Virgin_and_Child_by_Titian gptkb:The_Virgin_and_Child_by_Correggio The Virgin and Child by Bronzino The_Last_Supper_by_Leonardo_da_Vinci The_Last_Judgment_by_Michelangelo The_Madonna_of_the_Pinks_by_Raphael The_School_of_Athens_by_Raphael The_Virgin_of_the_Rocks_by_Leonardo_da_Vinci The_Madonna_and_Child_by_Giovanni_Bellini The_Annunciation_by_El_Greco The_Birth_of_Venus_by_Botticelli The_Adoration_of_the_Magi_by_Botticelli The_Allegory_of_Venus_and_Cupid_by_Bronzino The_Assumption_of_the_Virgin_by_Correggio The_Last_Supper_by_Tintoretto The_Madonna_and_Child_with_Saints_by_Titian The_Madonna_of_the_Long_Neck_by_Parmigianino The_Martyrdom_of_Saint_Maurice_by_El_Greco The_Virgin_and_Child_with_Saints_by_Raphael The_Virgin_and_Child_with_Saint_Anne_by_Leonardo_da_Vinci The_Holy_Family_with_the_Infant_Saint_John_the_Baptist_by_Michelangelo |
| gptkbp:influenced |
modern art movements
|
| gptkbp:influencedBy |
High Renaissance
|
| gptkbp:notableArtists |
gptkb:Michelangelo
gptkb:El_Greco gptkb:Pontormo Parmigianino Bronzino |
| gptkbp:notableWorks |
gptkb:Madonna_with_the_Long_Neck
gptkb:Venus,_Cupid,_Folly_and_Time The Last Judgment Portrait of a Young Man The Deposition |
| gptkbp:originatedIn |
gptkb:Italy
|
| gptkbp:relatedTo |
Baroque art
|
| gptkbp:timePeriod |
16th century
|