|
gptkbp:instance_of
|
gptkb:novel
gptkb:film
gptkb:character
|
|
gptkbp:adaptation
|
gptkb:musical
gptkb:radio_station
gptkb:graphic_novel
gptkb:miniseries
gptkb:film
gptkb:stage_play
Film adaptation of a novel
BBC Radio play
|
|
gptkbp:adaptation_year
|
gptkb:1940
|
|
gptkbp:adaptations
|
television adaptations
2020 Netflix film adaptation
various radio adaptations
|
|
gptkbp:adapted_into
|
gptkb:musical
gptkb:miniseries
gptkb:film
gptkb:stage_play
|
|
gptkbp:age
|
30s
|
|
gptkbp:antagonist
|
gptkb:Mrs._Danvers
|
|
gptkbp:appears_in
|
gptkb:The_Blacklist
gptkb:The_Lifeguard
|
|
gptkbp:associated_with
|
gptkb:Raymond_Reddington
|
|
gptkbp:author
|
gptkb:Daphne_du_Maurier
|
|
gptkbp:awards
|
gptkb:Best_Picture_Academy_Award_(1940)
gptkb:1939_National_Book_Award
Best Novel Award
Best Picture Oscar nomination
Best Picture Academy Award (1940) for the film adaptation
|
|
gptkbp:based_on
|
Novel by Daphne du Maurier
|
|
gptkbp:box_office
|
$1.2 million
|
|
gptkbp:can_transform_into
|
Personal growth
|
|
gptkbp:cast
|
gptkb:Alfred_Hitchcock
|
|
gptkbp:challenges
|
Facing past mistakes
|
|
gptkbp:character
|
gptkb:Maxim_de_Winter
gptkb:Mrs._Danvers
gptkb:Frank_Crawley
gptkb:Mrs._Van_Hopper
gptkb:Rebecca_de_Winter
gptkb:Beatrice_Lacey
gptkb:Jack_Favell
gptkb:Ben
the narrator's friend
the narrator's love interest
the narrator's father
the narrator's mother
the narrator's aunt
the narrator's adversary
the narrator's ally
the narrator's mentor
the narrator's rival
the narrator's acquaintance
the narrator's antagonist
the narrator's colleague
the narrator's confidante
the narrator's family member
the narrator's maid
the narrator's neighbor
|
|
gptkbp:character_arc
|
Growth
|
|
gptkbp:character_development
|
Complex characters
the relationship between the characters is central to the plot
Mrs. Danvers is a complex antagonist
the second Mrs. de Winter evolves throughout the story
|
|
gptkbp:character_traits
|
gptkb:Independent
gptkb:Loyal
gptkb:Hopeful
gptkb:Introspective
gptkb:complex
Determined
Vulnerable
Flawed
Realistic
Adventurous
Curious
Optimistic
Passionate
Resourceful
strong-willed
Caring
Reflective
Supportive
intelligent
Creative
Relatable
Resilient
compassionate
Empathetic
Sincere
Thoughtful
Open-minded
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|
gptkbp:character_voice
|
gptkb:the_second_Mrs._de_Winter
|
|
gptkbp:cinematography
|
gptkb:John_F._Seitz
|
|
gptkbp:color
|
Black-and-white
|
|
gptkbp:conflict
|
Self-acceptance
Personal struggles
the legacy of Rebecca de Winter
the second Mrs. de Winter vs. Rebecca's legacy
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|
gptkbp:country
|
gptkb:United_Kingdom
|
|
gptkbp:critical_reception
|
Highly acclaimed
acclaimed
widely acclaimed
considered a masterpiece
noted for its complex characters
praised for its atmosphere
has been analyzed in literary studies
|
|
gptkbp:cultural_impact
|
gptkb:novel
gptkb:popular_culture
psychological thriller
feminist literature
influenced popular culture
inspired numerous adaptations
considered a classic
inspired academic studies
inspired feminist readings
inspired references in popular culture
inspired psychological analyses
Influential in Gothic romance genre
|
|
gptkbp:cultural_references
|
inspired various adaptations
referenced in popular culture
inspired songs and artworks
|
|
gptkbp:cultural_significance
|
Considered a classic of American cinema
|
|
gptkbp:decided_by
|
Return to hometown
|
|
gptkbp:development
|
personal growth
self-discovery
|
|
gptkbp:directed_by
|
gptkb:Alfred_Hitchcock
|
|
gptkbp:director
|
gptkb:Alfred_Hitchcock
|
|
gptkbp:distributor
|
gptkb:United_Artists
|
|
gptkbp:events
|
Career change
|
|
gptkbp:family
|
Parents
|
|
gptkbp:famous_quote
|
“ Last night I dreamt I went to Manderley again.”
|
|
gptkbp:film
|
gptkb:Joan_Fontaine
gptkb:Laurence_Olivier
gptkb:Judith_Anderson
|
|
gptkbp:film_editing
|
gptkb:George_Tomasini
gptkb:1940_film_directed_by_Alfred_Hitchcock
gptkb:Rebecca_(1940)
2020 film
1940 film
2020 film directed by Ben Wheatley
directed By Alfred Hitchcock
released In 1940
starring Joan Fontaine
starring Judith Anderson
starring Laurence Olivier
|
|
gptkbp:film_technique
|
Non-linear storytelling
Use of shadows and light
Symbolic use of color
Character-driven plot
Atmospheric setting
Psychological tension through cinematography
Use of voiceover narration
|
|
gptkbp:first_appearance
|
gptkb:Season_1
|
|
gptkbp:follows
|
gptkb:The_Last_of_Mrs._Cheyney
|
|
gptkbp:friend
|
gptkb:Mary
|
|
gptkbp:genre
|
gptkb:drama
Gothic fiction
Gothic novel
|
|
gptkbp:goal
|
promote peace
educate others
Find happiness
|
|
gptkbp:has_appearance
|
gptkb:The_Good_Place:_Season_1
gptkb:The_Good_Place:_Season_2
gptkb:The_Good_Place:_Season_4
gptkb:The_Good_Place:_Season_3
|
|
gptkbp:has_backstory
|
Former swimmer
|
|
gptkbp:has_character
|
gptkb:The_Second_Mrs._de_Winter
|
|
gptkbp:has_conflict_with
|
gptkb:Michael
gptkb:Shawn
societal norms
|
|
gptkbp:has_friend
|
gptkb:Eleanor_Shellstrop
gptkb:Dr._Robert_Mac_Phail
gptkb:Chidi_Anagonye
gptkb:Jason_Mendoza
gptkb:Tahani_Al-Jamil
Moksha
With Mary
|
|
gptkbp:has_function
|
Teenagers
|
|
gptkbp:has_goal
|
Achieve a Good Place
|
|
gptkbp:has_impact_on
|
gptkb:education
gptkb:society
Television Comedy
readers
|
|
gptkbp:has_relationship_with
|
gptkb:Eleanor_Shellstrop
gptkb:Elizabeth_Keen
gptkb:Chidi_Anagonye
gptkb:Jason_Mendoza
gptkb:Tahani_Al-Jamil
|
|
gptkbp:has_role
|
gptkb:protagonist
|
|
gptkbp:has_theme
|
gptkb:Redemption
gptkb:Ethics
gptkb:friendship
Existentialism
|
|
gptkbp:has_tradition
|
Self-discovery
|
|
gptkbp:has_written
|
gptkb:Daphne_du_Maurier
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Rebecca
|
|
gptkbp:impact
|
On others
|
|
gptkbp:influence
|
gptkb:literature
gptkb:Gothic_literature
gptkb:film
feminist literature
modern novels
psychological thrillers
Mentor figure
Huxley’s philosophy
|
|
gptkbp:influenced
|
gptkb:literature
gptkb:literary_criticism
feminist literature
film noir
gothic literature
psychological thrillers
Modern adaptations of classic literature
Subsequent psychological thrillers
subsequent Gothic novels
|
|
gptkbp:influenced_by
|
gptkb:Jane_Eyre
gptkb:Wuthering_Heights
gptkb:Film_noir
Daphne du Maurier's life
British cinema of the 1930s
the author's experiences in Cornwall
|
|
gptkbp:inspiration
|
gptkb:Gothic_literature
Daphne du Maurier's life
Daphne du Maurier's own experiences
|
|
gptkbp:inspired_by
|
gptkb:activists
gptkb:philosopher
real-life educators
|
|
gptkbp:interacts_with
|
With locals
|
|
gptkbp:is_associated_with
|
The Good Place (TV series)
|
|
gptkbp:is_featured_in
|
gptkb:Season_1
gptkb:Season_4
gptkb:Season_2
gptkb:Season_3
|
|
gptkbp:is_influenced_by
|
gptkb:philosophy
|
|
gptkbp:is_involved_in
|
gptkb:character_development
Moral Dilemmas
Philosophical Discussions
Plot Twists
Afterlife Scenarios
|
|
gptkbp:is_known_for
|
Moral Philosophy
Afterlife Comedy
|
|
gptkbp:is_motivated_by
|
Escape from reality
Reconnect with herself
|
|
gptkbp:is_part_of
|
gptkb:Joint_Task_Force
gptkb:Team_Cockroach
The Good Place Universe
|
|
gptkbp:is_portrayed_as
|
gptkb:Dynamic
Compassionate
Intelligent
Flawed
Relatable
|
|
gptkbp:is_recognized_by
|
gptkb:audience
gptkb:art_critics
|
|
gptkbp:isbn
|
978-0-00-734144-2
|
|
gptkbp:language
|
English
|
|
gptkbp:last_appearance
|
gptkb:Season_2
|
|
gptkbp:line
|
Last night I dreamt I went to Manderley again.
|
|
gptkbp:main_actor
|
gptkb:Shirley_Temple
|
|
gptkbp:main_character
|
gptkb:Maxim_de_Winter
gptkb:the_second_Mrs._de_Winter
gptkb:Mrs._de_Winter
gptkb:Rebecca_de_Winter
|
|
gptkbp:meets
|
gptkb:challenges
opposition
Old friends
|
|
gptkbp:mentor
|
gptkb:Michael
|
|
gptkbp:mood
|
Conflicted
|
|
gptkbp:motif
|
gptkb:dreams
secrets
the past
|
|
gptkbp:music_composer
|
gptkb:Franz_Waxman
|
|
gptkbp:narrative
|
gptkb:protagonist
|
|
gptkbp:narrative_style
|
first-person
unreliable narrator
first-person perspective
First-person narration
|
|
gptkbp:notable_character
|
gptkb:Maxim_de_Winter
gptkb:Mrs._Danvers
gptkb:Frank_Crawley
gptkb:Mrs._Van_Hopper
gptkb:Rebecca_de_Winter
gptkb:Beatrice_Lacey
|
|
gptkbp:notable_quote
|
“ I will not be afraid.”
“ The past is a foreign country; they do things differently there.”
“ Last night I dreamt I went to Manderley again.”
“ I am not in the least like Rebecca.”
“ There’s something in the house.”
“ You think I am a coward?”
" Last night I dreamt I went to Manderley again."
|
|
gptkbp:notable_scene
|
The reveal of Rebecca's fate
|
|
gptkbp:occupation
|
gptkb:Lifeguard
gptkb:educators
Edgerunner
|
|
gptkbp:page_count
|
416
approximately 400
|
|
gptkbp:part_of
|
gptkb:The_Good_Place
gptkb:The_Island
|
|
gptkbp:plot
|
the impact of the past on the present
the exploration of class and social status
the mystery surrounding the first wife, Rebecca
the psychological tension between characters
the story of a young woman who marries a widower
a young woman marries a widower
struggles with the legacy of his first wife
the haunting presence of Rebecca
the mystery surrounding Rebecca's death
the second Mrs. de Winter's insecurities
|
|
gptkbp:portrayed_by
|
gptkb:Megan_Boone
gptkb:Kristen_Bell
|
|
gptkbp:precedes
|
Suspicion
|
|
gptkbp:producer
|
gptkb:David_O._Selznick
|
|
gptkbp:protagonist
|
gptkb:the_second_Mrs._de_Winter
the unnamed narrator
|
|
gptkbp:published
|
1938
|
|
gptkbp:published_by
|
1938
|
|
gptkbp:published_in
|
1938
|
|
gptkbp:publisher
|
gptkb:Victor_Gollancz_Ltd
gptkb:Victor_Gollancz_Ltd.
|
|
gptkbp:relationship_with
|
gptkb:Dylan
Her past
Will Farnaby
|
|
gptkbp:release_date
|
April 12, 1940
|
|
gptkbp:release_year
|
1938
|
|
gptkbp:remake
|
gptkb:Rebecca_(2020_film)
|
|
gptkbp:resolution
|
gptkb:Acceptance
|
|
gptkbp:role
|
gptkb:protagonist
gptkb:Agent
|
|
gptkbp:runtime
|
130 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Robert_E._Sherwood
|
|
gptkbp:setting
|
gptkb:Cornwall
gptkb:Manderley
Beach Town
|
|
gptkbp:struggles_with
|
Finding purpose
|
|
gptkbp:symbolism
|
gptkb:Water
gptkb:Manderley
the sea
the dress
the sea represents the unknown
Manderley as a character
Manderley represents the past
Rebecca symbolizes the idealized woman
|
|
gptkbp:symbolizes
|
freedom
hope
change
|
|
gptkbp:theme
|
gptkb:Memory
gptkb:jealousy
gptkb:identity
gptkb:memory
Jealousy
Self-discovery
|
|
gptkbp:themes
|
gptkb:jealousy
gptkb:identity
gptkb:memory
love
|
|
gptkbp:user_experience
|
gptkb:Nostalgia
Personal Growth
|
|
gptkbp:won_award
|
gptkb:Academy_Award_for_Best_Cinematography
gptkb:Academy_Award_for_Best_Picture
|
|
gptkbp:works_for
|
gptkb:FBI
|
|
gptkbp:written_by
|
gptkb:Daphne_du_Maurier
|
|
gptkbp:bfsParent
|
gptkb:Scarlett_Johansson
gptkb:Alfred_Hitchcock
|
|
gptkbp:bfsLayer
|
3
|