|
gptkbp:instanceOf
|
gptkb:film
|
|
gptkbp:AFI100
|
gptkb:AFI's_100_Years...100_Movies
gptkb:AFI's_10_Top_10_(Mystery)
gptkb:AFI's_100_Years...100_Thrills
|
|
gptkbp:basedOn
|
gptkb:Cornell_Woolrich
gptkb:It_Had_to_Be_Murder
|
|
gptkbp:boxOfficeGross
|
$36.8 million (US/Canada rentals)
|
|
gptkbp:cinematography
|
gptkb:Robert_Burks
|
|
gptkbp:colorProcess
|
gptkb:Technicolor
|
|
gptkbp:countryOfOrigin
|
gptkb:United_States
|
|
gptkbp:directed
|
gptkb:Alfred_Hitchcock
|
|
gptkbp:distributedBy
|
gptkb:Paramount_Pictures
|
|
gptkbp:editingBy
|
gptkb:George_Tomasini
|
|
gptkbp:genre
|
gptkb:crime
mystery
thriller
|
|
gptkbp:homeMediaRelease
|
gptkb:DVD
gptkb:Blu-ray
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Rear Window (film)
|
|
gptkbp:influenced
|
gptkb:Body_Double
gptkb:The_Simpsons_(Bart_of_Darkness_episode)
gptkb:Disturbia
|
|
gptkbp:language
|
English
|
|
gptkbp:musicBy
|
gptkb:Franz_Waxman
|
|
gptkbp:nominatedFor
|
gptkb:Academy_Award_for_Best_Adapted_Screenplay
gptkb:Academy_Award_for_Best_Cinematography
gptkb:Academy_Award_for_Best_Director
Academy Award for Best Sound Recording
|
|
gptkbp:notableFor
|
single set design
voyeurism theme
|
|
gptkbp:preservedIn
|
gptkb:United_States_National_Film_Registry
|
|
gptkbp:productionCompany
|
gptkb:Paramount_Pictures
|
|
gptkbp:releaseDate
|
August 1, 1954
|
|
gptkbp:restored
|
gptkb:Universal_Pictures
1999
|
|
gptkbp:runtime
|
112 minutes
|
|
gptkbp:setIn
|
gptkb:Greenwich_Village,_New_York_City
|
|
gptkbp:starring
|
gptkb:Grace_Kelly
gptkb:Thelma_Ritter
gptkb:James_Stewart
gptkb:Wendell_Corey
gptkb:Raymond_Burr
|
|
gptkbp:theme
|
urban isolation
voyeurism
suspicion
|
|
gptkbp:writtenBy
|
gptkb:John_Michael_Hayes
|
|
gptkbp:bfsParent
|
gptkb:Cornell_Woolrich
gptkb:It_Had_to_Be_Murder
|
|
gptkbp:bfsLayer
|
6
|