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gptkbp:instanceOf
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gptkb:film
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gptkbp:AFI100
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#42 (1998)
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gptkbp:AFI100Years100Passions
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#48
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gptkbp:AFI100Years100Thrills
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#14
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gptkbp:authorOfSourceMaterial
|
gptkb:Cornell_Woolrich
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gptkbp:awardedBy
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gptkb:National_Board_of_Review_Top_Ten_Films_(1954)
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gptkbp:basedOn
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gptkb:It_Had_to_Be_Murder_(short_story)
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|
gptkbp:boxOfficeGross
|
$36.8 million (US/Canada rentals)
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gptkbp:cinematography
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gptkb:Robert_Burks
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gptkbp:colorProcess
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gptkb:Technicolor
|
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gptkbp:countryOfOrigin
|
gptkb:United_States
|
|
gptkbp:director
|
gptkb:Alfred_Hitchcock
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gptkbp:distributor
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gptkb:Paramount_Pictures
|
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gptkbp:editingBy
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gptkb:George_Tomasini
|
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gptkbp:filmingLocation
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gptkb:Paramount_Studios,_Hollywood
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gptkbp:genre
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mystery
thriller
suspense
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|
https://www.w3.org/2000/01/rdf-schema#label
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Rear Window (1954 film)
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gptkbp:language
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English
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gptkbp:mainCharacter
|
gptkb:Stella
gptkb:Lisa_Fremont
gptkb:Lars_Thorwald
gptkb:L.B._Jefferies
|
|
gptkbp:musicBy
|
gptkb:Franz_Waxman
|
|
gptkbp:nominatedFor
|
gptkb:Academy_Award_for_Best_Adapted_Screenplay
gptkb:Academy_Award_for_Best_Cinematography
gptkb:Academy_Award_for_Best_Director
Academy Award for Best Sound Recording
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|
gptkbp:notableFor
|
single set design
voyeurism theme
|
|
gptkbp:preservedIn
|
gptkb:United_States_National_Film_Registry
|
|
gptkbp:producer
|
gptkb:Alfred_Hitchcock
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|
gptkbp:productionCompany
|
gptkb:Paramount_Pictures
|
|
gptkbp:releaseDate
|
August 1, 1954
|
|
gptkbp:restored
|
gptkb:Universal_Pictures_(1999)
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|
gptkbp:runtime
|
112 minutes
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|
gptkbp:screenwriter
|
gptkb:John_Michael_Hayes
|
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gptkbp:sequel
|
gptkb:Rear_Window_(1998_film)
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|
gptkbp:setIn
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gptkb:Greenwich_Village,_New_York_City
|
|
gptkbp:starring
|
gptkb:Grace_Kelly
gptkb:Thelma_Ritter
gptkb:James_Stewart
gptkb:Wendell_Corey
gptkb:Raymond_Burr
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|
gptkbp:theme
|
privacy
urban life
suspicion
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gptkbp:bfsParent
|
gptkb:Rear_Window_(1998_TV_film)
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gptkbp:bfsLayer
|
6
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