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gptkbp:instanceOf
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gptkb:film
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|
gptkbp:AFI100
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#42 (1998)
#48 (2007)
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gptkbp:authorOfSourceMaterial
|
gptkb:Cornell_Woolrich
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gptkbp:basedOn
|
gptkb:It_Had_to_Be_Murder
|
|
gptkbp:boxOfficeGross
|
$36.8 million (US/Canada rentals)
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gptkbp:cinematography
|
gptkb:Robert_Burks
|
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gptkbp:colorProcess
|
gptkb:Technicolor
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gptkbp:countryOfOrigin
|
gptkb:United_States
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gptkbp:designer
|
gptkb:Hal_Pereira
gptkb:Joseph_MacMillan_Johnson
gptkb:Ray_Moyer
gptkb:Sam_Comer
|
|
gptkbp:directed
|
gptkb:Alfred_Hitchcock
|
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gptkbp:distributedBy
|
gptkb:Paramount_Pictures
|
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gptkbp:editingBy
|
gptkb:George_Tomasini
|
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gptkbp:filmingLocation
|
gptkb:Paramount_Studios,_Hollywood
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gptkbp:genre
|
mystery
thriller
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|
gptkbp:hasTheme
|
murder mystery
urban isolation
voyeurism
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|
gptkbp:homeMediaRelease
|
gptkb:DVD
gptkb:Blu-ray
gptkb:VHS
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Rear Window
|
|
gptkbp:influenced
|
gptkb:The_Simpsons_episode_"Bart_of_Darkness"
gptkb:Body_Double
gptkb:Disturbia
|
|
gptkbp:language
|
English
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|
gptkbp:musicBy
|
gptkb:Franz_Waxman
|
|
gptkbp:nominatedFor
|
gptkb:Academy_Award_for_Best_Adapted_Screenplay
gptkb:Academy_Award_for_Best_Cinematography
gptkb:Academy_Award_for_Best_Director
Academy Award for Best Sound Recording
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|
gptkbp:notableFor
|
single set design
use of subjective camera
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|
gptkbp:posterArtist
|
gptkb:Bill_Gold
|
|
gptkbp:preservedIn
|
gptkb:United_States_National_Film_Registry
|
|
gptkbp:producedBy
|
gptkb:Alfred_Hitchcock
|
|
gptkbp:productionCompany
|
gptkb:Paramount_Pictures
|
|
gptkbp:releaseDate
|
August 1, 1954
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|
gptkbp:runtime
|
112 minutes
|
|
gptkbp:setIn
|
gptkb:Greenwich_Village,_New_York_City
|
|
gptkbp:starring
|
gptkb:Grace_Kelly
gptkb:Thelma_Ritter
gptkb:James_Stewart
gptkb:Wendell_Corey
gptkb:Raymond_Burr
|
|
gptkbp:writtenBy
|
gptkb:John_Michael_Hayes
|
|
gptkbp:bfsParent
|
gptkb:Grace_Kelly
|
|
gptkbp:bfsLayer
|
4
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