Statements (91)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:musical_composition
|
| gptkbp:bfsLayer |
5
|
| gptkbp:bfsParent |
gptkb:Sviatoslav_Richter
|
| gptkbp:adaptation |
for chamber ensembles
|
| gptkbp:arrangements |
gptkb:musician
for piano |
| gptkbp:character |
evokes nostalgia
|
| gptkbp:choreography |
by George Balanchine
in various dance forms |
| gptkbp:composer |
gptkb:Berlin_Philharmonic
gptkb:Maurice_Ravel |
| gptkbp:critical_reception |
widely acclaimed
|
| gptkbp:cultural_impact |
significant in classical music
|
| gptkbp:cultural_significance |
represents the end of an era
reflects post-World War I sentiments |
| gptkbp:dedication |
to the memory of the great waltz
to the memory of the Austro-Hungarian Empire |
| gptkbp:duration |
approximately 12 minutes
|
| gptkbp:evokes |
nostalgia
|
| gptkbp:famous_for |
its lush orchestration
|
| gptkbp:features |
syncopation
|
| gptkbp:first_performance |
gptkb:Paris
gptkb:Vienna |
| gptkbp:form |
rondo
|
| gptkbp:genre |
gptkb:ballet
|
| gptkbp:historical_context |
post-war Europe
|
| https://www.w3.org/2000/01/rdf-schema#label |
Ravel La Valse
|
| gptkbp:influence |
film scores
|
| gptkbp:influenced |
gptkb:musician
later composers |
| gptkbp:influenced_by |
waltz music
|
| gptkbp:influences |
French waltz
|
| gptkbp:inspired_by |
the decline of the waltz
waltz music of the 19th century |
| gptkbp:is_a_staple_in |
orchestral competitions
|
| gptkbp:is_analyzed_in |
musicology studies
|
| gptkbp:is_associated_with |
the waltz revival
|
| gptkbp:is_celebrated_in |
its emotional depth
|
| gptkbp:is_characterized_by |
rhythmic complexity
|
| gptkbp:is_considered |
a masterpiece of the 20th century
|
| gptkbp:is_discussed_in |
music theory classes
|
| gptkbp:is_featured_in |
film soundtracks
|
| gptkbp:is_known_for |
its dramatic contrasts
|
| gptkbp:is_often_associated_with |
music festivals
ballet performances a choreographic poem |
| gptkbp:is_often_compared_to |
other waltzes of the era
|
| gptkbp:is_often_used_in |
dance performances
New Year's concerts orchestral suites. |
| gptkbp:is_popular_in |
conductors
ballet adaptations concert repertoire featured in films and ballets |
| gptkbp:is_recognized_for |
its innovative orchestration
|
| gptkbp:is_reflected_in |
post-World War I sentiment
|
| gptkbp:key |
F major
|
| gptkbp:key_event |
Ravel's oeuvre
|
| gptkbp:music_style |
gptkb:modern_ballet
syncopation frequently studied in musicology |
| gptkbp:notable_conductors |
gptkb:Herbert_von_Karajan
|
| gptkbp:notable_event |
classical music festivals
|
| gptkbp:notable_features |
rhythmic complexity
|
| gptkbp:notable_performance |
gptkb:New_York_Philharmonic
conducted by Leonard Bernstein pianists and conductors |
| gptkbp:notable_recordings |
conducted by Leonard Bernstein
by the Berlin Philharmonic by orchestras worldwide |
| gptkbp:orchestration |
for large orchestra
|
| gptkbp:part_of |
Ravel's orchestral works
|
| gptkbp:performed_by |
gptkb:theatre
gptkb:London_Symphony_Orchestra cultural events concert halls globally major concert halls many orchestras worldwide |
| gptkbp:premiere |
gptkb:1920
|
| gptkbp:published_by |
Durand
|
| gptkbp:recorded_by |
various artists
many famous orchestras |
| gptkbp:related_works |
gptkb:Boléro
|
| gptkbp:significance |
French music history
|
| gptkbp:social_structure |
three main sections
|
| gptkbp:style |
impressionism
|
| gptkbp:subject |
musicological research
|
| gptkbp:theme |
recurrent themes
|
| gptkbp:themes |
romantic and tragic
|
| gptkbp:uses |
orchestral color
|
| gptkbp:year_composed |
gptkb:1920
|