Radical Chic & Mau-Mauing the Flak Catchers
GPTKB entity
Statements (41)
Predicate | Object |
---|---|
gptkbp:instance_of |
gptkb:book
|
gptkbp:adaptations |
gptkb:documentaries
gptkb:lectures panel discussions articles and essays discussions in academic settings |
gptkbp:author |
gptkb:Tom_Wolfe
|
gptkbp:cultural_significance |
examines the intersection of race and class
analyzes media representation challenges the sincerity of liberal activism explores the concept of performative activism highlights contradictions in social movements reflects on the politics of privilege |
gptkbp:focus |
social issues
|
gptkbp:genre |
gptkb:non-fiction
|
https://www.w3.org/2000/01/rdf-schema#label |
Radical Chic & Mau-Mauing the Flak Catchers
|
gptkbp:impact |
cultural criticism
|
gptkbp:influenced |
political discourse
modern journalism sociological studies of activism subsequent cultural critiques |
gptkbp:influenced_by |
1960s counterculture
|
gptkbp:is_critiqued_by |
liberal elites
|
gptkbp:isbn |
978-0374531402
|
gptkbp:language |
English
|
gptkbp:notable_quote |
“ Mau-Mauing the flak catchers is a way of getting attention.”
“ The radical chic is a kind of social fashion.” |
gptkbp:notable_themes |
class struggle
race relations |
gptkbp:page_count |
128
|
gptkbp:published_year |
gptkb:1970
|
gptkbp:publisher |
gptkb:Farrar,_Straus_and_Giroux
|
gptkbp:related_to |
gptkb:Black_Panther_Party
social justice movements 1960s protests |
gptkbp:setting |
gptkb:New_York_City
|
gptkbp:style |
journalistic
|
gptkbp:subject_matter |
gptkb:activists
elite liberalism |
gptkbp:bfsParent |
gptkb:The_Electric_Kool-Aid_Acid_Test
|
gptkbp:bfsLayer |
5
|