|
gptkbp:instance_of
|
gptkb:String_Quartet
|
|
gptkbp:bfsLayer
|
5
|
|
gptkbp:bfsParent
|
gptkb:Quatuor_Élysée
|
|
gptkbp:characteristics
|
Dynamic contrasts.
Use of counterpoint.
Rich harmonic language.
Expressive phrasing.
Thematic development.
Contrasting themes.
Use of motifs.
Contrapuntal writing.
Rhythmic vitality.
Integration of folk elements.
Development of sonata form.
Emotional range.
Emphasis on dialogue between instruments.
Exploration of harmony.
Expressive depth.
Influence on later composers.
Innovative use of silence.
Integration of classical and romantic elements.
Melodic and harmonic innovation.
Structural clarity.
Use of chromaticism.
Use of syncopation.
Varied textures.
Variety of articulations.
|
|
gptkbp:composer
|
gptkb:Joseph_Haydn
|
|
gptkbp:cultural_significance
|
Important work in the string quartet repertoire.
|
|
gptkbp:dedication
|
gptkb:Count_Joseph_Erdödy
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Quartet in G major, Op. 77 No. 2
|
|
gptkbp:influenced_by
|
gptkb:Wolfgang_Amadeus_Mozart
|
|
gptkbp:instrumentation
|
gptkb:musician
2 violins
|
|
gptkbp:key
|
G major
|
|
gptkbp:movement
|
gptkb:Allegro
gptkb:Menuetto
gptkb:4
gptkb:Adagio
|
|
gptkbp:notable_performers
|
gptkb:Borodin_Quartet
gptkb:Tokyo_String_Quartet
gptkb:Guarneri_String_Quartet
gptkb:Alban_Berg_Quartet
gptkb:Emerson_String_Quartet
|
|
gptkbp:notable_recordings
|
gptkb:Haydn:_The_Complete_String_Quartets
gptkb:Haydn:_The_Late_String_Quartets
gptkb:Haydn:_String_Quartets_Vol._2
gptkb:Haydn:_The_Complete_Works_for_String_Quartet
|
|
gptkbp:number
|
2
|
|
gptkbp:opus_number
|
77
|
|
gptkbp:published_by
|
1800
|
|
gptkbp:publisher
|
Artaria
|
|
gptkbp:style
|
Classical
|
|
gptkbp:year_composed
|
1799
|