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gptkbp:instance_of
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gptkb:novel
|
|
gptkbp:adaptation
|
gptkb:film
gptkb:stage_play
|
|
gptkbp:adaptation_year
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gptkb:1930
gptkb:1999
1911
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|
gptkbp:author
|
gptkb:Mark_Twain
|
|
gptkbp:character
|
gptkb:Judge_Driscoll
gptkb:Tom_Driscoll
gptkb:Miss_Watson
Chambers
Aunt Sally
|
|
gptkbp:critical_reception
|
mixed reviews upon release
analyzed for its social critique
considered a significant work of Twain's career
noted for its humor and wit
re-evaluated positively in later years
|
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gptkbp:cultural_impact
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influence on later works
discussions on race
adaptations in various media
critical analysis in literature courses
inspiration for other authors
|
|
gptkbp:followed_by
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gptkb:The_Mysterious_Stranger
|
|
gptkbp:genre
|
gptkb:satire
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Pudd'nhead Wilson
|
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gptkbp:influence
|
American literature
|
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gptkbp:language
|
English
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gptkbp:main_character
|
gptkb:Roxy
gptkb:David_Wilson
|
|
gptkbp:narrative_style
|
first-person
|
|
gptkbp:notable_quote
|
“ The best way to cheer yourself up is to try to cheer somebody else up.”
“ It could probably be shown by facts and figures that there is no distinctly native American criminal class except Congress.”
“ A man is only as good as what he loves.”
|
|
gptkbp:plot
|
gptkb:court_cases
gptkb:murder_mystery
social commentary
themes of deception
switched identities
|
|
gptkbp:preceded_by
|
gptkb:The_Adventures_of_Tom_Sawyer
|
|
gptkbp:published
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1894
|
|
gptkbp:publisher
|
gptkb:Charles_L._Webster_and_Company
|
|
gptkbp:setting
|
gptkb:Missouri
|
|
gptkbp:theme
|
gptkb:race
gptkb:social_class
gptkb:identity
|
|
gptkbp:bfsParent
|
gptkb:Mark_Twain
|
|
gptkbp:bfsLayer
|
4
|