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gptkbp:instanceOf
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gptkb:film
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|
gptkbp:author
|
gptkb:Robert_Bloch
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gptkbp:awards
|
gptkb:Academy_Award_nomination_for_Best_Director
Academy Award nomination for Best Cinematography
Academy Award nomination for Best Supporting Actress
Academy Award nomination for Best Art Direction
|
|
gptkbp:basedOn
|
gptkb:Psycho_(novel)
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gptkbp:boxOfficeGross
|
$50 million
|
|
gptkbp:budget
|
$806,947
|
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gptkbp:cinematography
|
gptkb:John_L._Russell
|
|
gptkbp:color
|
black-and-white
|
|
gptkbp:countryOfOrigin
|
gptkb:United_States
|
|
gptkbp:director
|
gptkb:Alfred_Hitchcock
|
|
gptkbp:distributor
|
gptkb:Paramount_Pictures
|
|
gptkbp:editor
|
gptkb:George_Tomasini
|
|
gptkbp:filmingLocation
|
gptkb:Universal_Studios,_Hollywood
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gptkbp:genre
|
thriller
psychological horror
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|
https://www.w3.org/2000/01/rdf-schema#label
|
Psycho (film, 1960)
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|
gptkbp:influenced
|
slasher genre
|
|
gptkbp:language
|
English
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|
gptkbp:mainCharacter
|
gptkb:Marion_Crane
gptkb:Norman_Bates
|
|
gptkbp:musicBy
|
gptkb:Bernard_Herrmann
|
|
gptkbp:notablePlace
|
twist ending
breaking narrative conventions
early example of graphic violence in mainstream film
use of music in suspense
|
|
gptkbp:notableQuote
|
"A boy's best friend is his mother."
|
|
gptkbp:notableScene
|
shower scene
|
|
gptkbp:posterArtist
|
gptkb:Tony_Palladino
|
|
gptkbp:preservedIn
|
gptkb:United_States_National_Film_Registry
|
|
gptkbp:producer
|
gptkb:Alfred_Hitchcock
|
|
gptkbp:productionCompany
|
gptkb:Shamley_Productions
|
|
gptkbp:rating
|
R
|
|
gptkbp:releaseDate
|
June 16, 1960
|
|
gptkbp:remakeOf
|
Psycho (film, 1998)
|
|
gptkbp:runtime
|
109 minutes
|
|
gptkbp:screenwriter
|
gptkb:Joseph_Stefano
|
|
gptkbp:sequel
|
Psycho II (film, 1983)
|
|
gptkbp:setting
|
gptkb:Bates_Motel
gptkb:Fairvale,_California
|
|
gptkbp:starring
|
gptkb:John_Gavin
gptkb:Martin_Balsam
gptkb:Vera_Miles
gptkb:Anthony_Perkins
Janet Leigh
|
|
gptkbp:bfsParent
|
gptkb:Sam_Loomis_(Psycho_character)
|
|
gptkbp:bfsLayer
|
7
|