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gptkbp:instance_of
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gptkb:novel
|
|
gptkbp:adaptation
|
gptkb:theatre
gptkb:2001
gptkb:film
|
|
gptkbp:author
|
gptkb:Stefan_Żeromski
|
|
gptkbp:cast
|
gptkb:Janusz_Gajos
gptkb:Katarzyna_Figura
gptkb:Michał_Żebrowski
gptkb:Maja_Ostaszewska
Bartosz Opania
Filip Bajon
|
|
gptkbp:character_development
|
Cezary's journey
Cezary's relationships
Cezary's struggles
|
|
gptkbp:conflict
|
class struggle
personal identity
|
|
gptkbp:critical_reception
|
positive
|
|
gptkbp:cultural_impact
|
Polish literature
|
|
gptkbp:follows
|
gptkb:Dzieje_grzechu
|
|
gptkbp:genre
|
literary fiction
|
|
gptkbp:historical_context
|
interwar period
Polish independence
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Przedwiośnie
|
|
gptkbp:influenced
|
later Polish writers
|
|
gptkbp:influenced_by
|
gptkb:award
gptkb:modernism
gptkb:World_War_I
Naturalism
social realism
|
|
gptkbp:language
|
gptkb:Polish
|
|
gptkbp:main_character
|
Cezary Baryka
|
|
gptkbp:narrative_style
|
stream of consciousness
third-person
symbolism
flashbacks
|
|
gptkbp:notable_quote
|
" Człowiek jest tym, co z niego uczynili."
" Wszystko, co piękne, jest w nas."
|
|
gptkbp:precedes
|
Wiatr od wschodu
|
|
gptkbp:published_by
|
gptkb:Wydawnictwo_Literackie
1924
|
|
gptkbp:setting
|
gptkb:Politician
|
|
gptkbp:symbolism
|
gptkb:hot_spring
hope
rebirth
|
|
gptkbp:theme
|
gptkb:TV_series
gptkb:historical_event
social change
|
|
gptkbp:translated_into
|
gptkb:French
gptkb:Native_American_tribe
English
|
|
gptkbp:bfsParent
|
gptkb:Tadeusz_Żeromski
|
|
gptkbp:bfsLayer
|
5
|