gptkbp:instance_of
|
gptkb:Piano_Sonata
|
gptkbp:bfsLayer
|
4
|
gptkbp:bfsParent
|
gptkb:Khatia_Buniatishvili
|
gptkbp:challenges
|
Requires advanced piano technique
|
gptkbp:characteristics
|
Lyricism and rhythmic complexity
|
gptkbp:composer
|
gptkb:Sergei_Prokofiev
|
gptkbp:critical_reception
|
Generally positive
|
gptkbp:cultural_significance
|
Represents early 20th-century Russian music
|
gptkbp:dedication
|
To the memory of the composer’s father
|
gptkbp:duration
|
approximately 20 minutes
|
gptkbp:filming_location
|
gptkb:Saint_Petersburg
|
gptkbp:first_published
|
1912
|
gptkbp:form
|
Sonata form
|
gptkbp:historical_context
|
Composed during Prokofiev's youth
|
https://www.w3.org/2000/01/rdf-schema#label
|
Prokofiev's Piano Sonata No. 1
|
gptkbp:influenced
|
Later piano compositions
|
gptkbp:influenced_by
|
Western classical music
Russian folk music
|
gptkbp:influences
|
Russian classical music
|
gptkbp:inspiration
|
Personal experiences
|
gptkbp:key
|
F minor
|
gptkbp:legacy
|
Influential in piano repertoire
|
gptkbp:movement
|
gptkb:Allegro_Scherzando
gptkb:Allegro
gptkb:Andante
gptkb:4
|
gptkbp:notable_features
|
Contrasting themes
|
gptkbp:notable_performers
|
gptkb:Vladimir_Ashkenazy
gptkb:Martha_Argerich
gptkb:Yuja_Wang
|
gptkbp:notable_recordings
|
gptkb:Deutsche_Grammophon
gptkb:Naxos_Records
gptkb:Sony_Classical
gptkb:EMI_Classics
Multiple recordings available
|
gptkbp:notable_traits
|
Emotional depth
Dynamic contrasts
Contrapuntal techniques
Harmonic exploration
Varied textures
Use of dissonance
Expressive phrasing
Rhythmic drive
Structural clarity
Melodic inventiveness
Innovative use of silence
|
gptkbp:opus_number
|
Op. 1
|
gptkbp:part_of
|
Piano sonatas by Prokofiev
|
gptkbp:performed_by
|
Concert halls worldwide
Many renowned pianists
|
gptkbp:premiere_date
|
1912
|
gptkbp:published_by
|
gptkb:G._Schirmer
1912
|
gptkbp:related_works
|
gptkb:Piano_Sonata_No._2
gptkb:Piano_Sonata_No._3
|
gptkbp:style
|
Modern classical music
|
gptkbp:year_composed
|
1909
|