|
gptkbp:instance_of
|
gptkb:play
|
|
gptkbp:adaptation
|
gptkb:radio_station
gptkb:opera
gptkb:theater
gptkb:television
gptkb:film
|
|
gptkbp:author
|
gptkb:Arthur_Schnitzler
|
|
gptkbp:conflict
|
medical ethics
|
|
gptkbp:critical_reception
|
controversial
|
|
gptkbp:cultural_significance
|
gptkb:Jewish_identity
gptkb:healthcare_professionals
social issues
|
|
gptkbp:first_performance
|
1912
|
|
gptkbp:genre
|
gptkb:drama
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Professor Bernhardi
|
|
gptkbp:influence
|
Austrian literature
|
|
gptkbp:influenced_by
|
expressionism
naturalism
|
|
gptkbp:language
|
gptkb:German
|
|
gptkbp:notable_character
|
gptkb:Dr._Bernhardi
The Rabbi
Dr. Koller
Dr. Kossak
Mrs. Kossak
|
|
gptkbp:notable_themes
|
gptkb:cultural_assimilation
gptkb:acceptance
gptkb:betrayal
gptkb:human_rights
gptkb:loyalty
gptkb:conflict
gptkb:identity
gptkb:sacrifice
gptkb:social_justice
gptkb:social_hierarchy
gptkb:community
conflict resolution
prejudice
understanding
hope
authority
moral responsibility
compassion
courage
empathy
individualism
redemption
tolerance
collectivism
fear
forgiveness
moral dilemmas
truth
professional integrity
family dynamics
personal sacrifice
despair
|
|
gptkbp:premiere_location
|
gptkb:Vienna
|
|
gptkbp:protagonist
|
gptkb:Professor_Bernhardi
|
|
gptkbp:published_in
|
1912
|
|
gptkbp:setting
|
gptkb:Vienna
|
|
gptkbp:theme
|
anti-Semitism
|
|
gptkbp:bfsParent
|
gptkb:Arthur_Schnitzler
|
|
gptkbp:bfsLayer
|
5
|