Statements (23)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
gptkb:book
|
| gptkbp:author |
gptkb:Heinrich_Wölfflin
|
| gptkbp:countryOfOrigin |
gptkb:Switzerland
|
| gptkbp:influenced |
art history methodology
formalism in art history |
| gptkbp:languageOfWork |
gptkb:German
|
| gptkbp:notableIdea |
absolute clarity vs relative clarity
closed form vs open form comparative stylistic analysis linear vs painterly multiplicity vs unity plane vs recession |
| gptkbp:originalTitle |
gptkb:Kunstgeschichtliche_Grundbegriffe
|
| gptkbp:publicationYear |
1915
|
| gptkbp:publisher |
gptkb:F._Bruckmann_(original_German_edition)
|
| gptkbp:subject |
art history
formal analysis |
| gptkbp:translatedInto |
gptkb:Marie_D._Hottinger
1932 English |
| gptkbp:bfsParent |
gptkb:Heinrich_Wölfflin
|
| gptkbp:bfsLayer |
6
|
| https://www.w3.org/2000/01/rdf-schema#label |
Principles of Art History
|