Statements (52)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
Theater
|
| gptkbp:associatedWith |
Hans-Thies Lehmann
|
| gptkbp:characterizedBy |
Fragmentation
Audience participation Multimedia elements Non-linear narratives |
| gptkbp:competesWith |
Dramatic theater
|
| gptkbp:explores |
The nature of reality
The role of the audience |
| gptkbp:hasImpactOn |
Contemporary performance
Theater education |
| https://www.w3.org/2000/01/rdf-schema#label |
Postdramatic Theater
|
| gptkbp:includes |
Installation art
Performance art |
| gptkbp:influencedBy |
Avant-garde movements
|
| gptkbp:is_used_in |
Absurdist elements
|
| gptkbp:isDocumentedIn |
Documentaries
Interviews with practitioners Books on theater theory |
| gptkbp:isEngagedIn |
Academic journals
Theater reviews |
| gptkbp:isExemplifiedBy |
The_works_of_Forced_Entertainment
The_works_of_Marina_Abramović The_works_of_Pina_Bausch The_works_of_Richard_Foreman The_works_of_Robert_Wilson |
| gptkbp:isExploredIn |
Critical essays
Theoretical texts |
| gptkbp:isInfluencedBy |
Postmodernism
|
| gptkbp:isInformedBy |
Fringe festivals
Experimental theaters |
| gptkbp:isOftenMadeWith |
Musicians
Writers Filmmakers Choreographers Visual artists |
| gptkbp:isOftenUsedIn |
A critique of capitalism
A commentary on technology A reflection of contemporary society An exploration of identity |
| gptkbp:isRelatedTo |
Deconstruction
Intermediality |
| gptkbp:isStudiedIn |
Theater studies programs
Performance studies programs |
| gptkbp:isUtilizedFor |
Conventional storytelling
Traditional theater audiences |
| gptkbp:isValuedFor |
Ambiguity
Lack of traditional plot |
| gptkbp:mayHave |
Dance
Visual arts |
| gptkbp:originatedIn |
Late 20th century
|
| gptkbp:utilizes |
Improvisation
|