Statements (60)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
Theatre
|
| gptkbp:adaptedInto |
Oral traditions
|
| gptkbp:addresses |
Social justice issues
|
| gptkbp:associated_with |
Social movements
|
| gptkbp:challenges |
Western narratives
|
| gptkbp:composedOf |
Satire
Absurdism |
| gptkbp:criticism |
Consumerism
Gender roles Neocolonialism |
| gptkbp:explores |
Power dynamics
|
| gptkbp:features |
Marginalized voices
|
| gptkbp:has_a |
Environmentalism
Migration Belonging Displacement Racial identity |
| https://www.w3.org/2000/01/rdf-schema#label |
Postcolonial Theatre
|
| gptkbp:includes |
Cultural identity
Dance and music Interactive elements |
| gptkbp:influenced |
Globalization
Postcolonial theory |
| gptkbp:is_a |
Political expression
|
| gptkbp:is_a_celebration_of |
Cultural heritage
|
| gptkbp:is_a_platform_for |
Artistic expression
Community dialogue |
| gptkbp:is_a_reflection_of |
Identity politics
|
| gptkbp:is_available_in |
gptkb:Asia
gptkb:Australia gptkb:The_Caribbean Africa A form of resistance |
| gptkbp:is_characterized_by |
Hybrid forms
|
| gptkbp:is_essential_for |
Cultural imperialism
|
| gptkbp:is_featured_in |
Diverse perspectives
Cultural hegemony Critical analysis International festivals |
| gptkbp:is_recognized_for |
Innovative storytelling
|
| gptkbp:is_studied_in |
Academic institutions
|
| gptkbp:is_used_in |
Emerging artists
Local communities Indigenous traditions Cultural revival Theatres and festivals |
| gptkbp:medium |
Healing
|
| gptkbp:notable_feature |
Non-linear narratives
|
| gptkbp:performedBy |
gptkb:Derek_Walcott
Wole Soyinka Various languages Ngũgĩ wa Thiong'o Aime Cesaire |
| gptkbp:reflects |
Historical events
Societal_changes |
| gptkbp:specialty |
Visual arts
|
| gptkbp:utilizes |
Symbolism
Multilingualism |
| gptkbp:was_a_response_to |
Colonial oppression
|
| gptkbp:worksWith |
Colonialism
|