Statements (27)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
gptkb:person
|
| gptkbp:awardReceived |
2022 Fitzcarraldo Editions Essay Prize
2022 Ondaatje Prize (shortlisted) |
| gptkbp:birthPlace |
gptkb:London
|
| gptkbp:education |
gptkb:University_of_Cambridge
|
| gptkbp:genre |
non-fiction
translator |
| https://www.w3.org/2000/01/rdf-schema#label |
Polly Barton
|
| gptkbp:language |
English
Japanese |
| gptkbp:nationality |
British
|
| gptkbp:notableWork |
Fifty Sounds
Porn: An Oral History |
| gptkbp:occupation |
gptkb:writer
translator |
| gptkbp:residence |
gptkb:Japan
gptkb:United_Kingdom |
| gptkbp:translatedInto |
Friendship for Grown-Ups by Naocola Yamazaki
Mikumari by Misumi Kubo So We Look to the Sky by Misumi Kubo Spring Garden by Tomoka Shibasaki The Cowards Who Looked to the Sky by Misumi Kubo The Little House by Kyoko Nakajima Where the Wild Ladies Are by Aoko Matsuda There's No Such Thing as an Easy Job by Kikuko Tsumura |
| gptkbp:bfsParent |
gptkb:Small_Worlds:_Adopted_Sons,_Pet_Fish_and_Other_Mortal_Concerns
|
| gptkbp:bfsLayer |
8
|