|
gptkbp:instance_of
|
gptkb:theatrical_performances
|
|
gptkbp:adapted_into
|
gptkb:radio_station
gptkb:television
gptkb:film
|
|
gptkbp:characters
|
gptkb:women
Man 2
Man 1
|
|
gptkbp:critical_reception
|
widely acclaimed
|
|
gptkbp:director
|
gptkb:Alan_Schneider
|
|
gptkbp:duration
|
approximately 10 minutes
|
|
gptkbp:explores
|
gptkb:loss
gptkb:identity
gptkb:memory
human relationships
communication breakdown
|
|
gptkbp:genre
|
absurdist drama
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Play (1963)
|
|
gptkbp:influenced
|
gptkb:theater_of_the_absurd
postmodern theater
|
|
gptkbp:influenced_by
|
Freudian theory
modernist literature
|
|
gptkbp:inspired
|
numerous adaptations
|
|
gptkbp:inspired_by
|
Beckett's own experiences
|
|
gptkbp:is_set_in
|
minimal set
|
|
gptkbp:language
|
English
|
|
gptkbp:notable_actor
|
gptkb:Beryl_Reid
gptkb:Maggie_Smith
gptkb:Patrick_Magee
|
|
gptkbp:notable_awards
|
gptkb:award
Tony Award nomination
|
|
gptkbp:notable_for
|
its unique structure
|
|
gptkbp:notable_production
|
gptkb:Royal_Court_Theatre
|
|
gptkbp:notable_themes
|
the passage of time
the nature of reality
the struggle for identity
the inevitability of death
the role of memory
the search for meaning
the impact of trauma
the fragility of life
the complexity of love
absurdity of existence
the conflict between desire and reality
|
|
gptkbp:performed_at
|
gptkb:West_End
gptkb:Edinburgh_Festival_Fringe
gptkb:Broadway
|
|
gptkbp:performed_by
|
three characters
|
|
gptkbp:performed_in
|
gptkb:various_languages
|
|
gptkbp:premiered_on
|
gptkb:1963
|
|
gptkbp:published_by
|
gptkb:Grove_Press
|
|
gptkbp:published_in
|
gptkb:1964
|
|
gptkbp:style
|
minimalist
|
|
gptkbp:themes
|
gptkb:existentialism
gptkb:jealousy
love
|
|
gptkbp:written_by
|
gptkb:Samuel_Beckett
|
|
gptkbp:bfsParent
|
gptkb:Sam_Beckett
|
|
gptkbp:bfsLayer
|
6
|