Statements (139)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:Piano_Sonata
|
| gptkbp:analysis |
Often analyzed in music theory courses
Often analyzed for its structure |
| gptkbp:arrangements |
Arranged for various instruments
|
| gptkbp:artist |
Emotional depth
Use of ornamentation Dynamic contrasts Contrasting themes Harmonic exploration Melodic development Expressive phrasing Contrapuntal elements Rhythmic variety Use of chromaticism Articulation techniques Use of pedal Technical challenges for performers |
| gptkbp:character |
Expressive and dramatic
Emotional and dramatic |
| gptkbp:characteristics |
Dramatic contrasts
|
| gptkbp:composed_of |
1943
Widely available Widely published |
| gptkbp:composer |
gptkb:Ludwig_van_Beethoven
gptkb:Wolfgang_Amadeus_Mozart |
| gptkbp:critical_reception |
Highly regarded by music critics
|
| gptkbp:cultural_impact |
Influenced later composers
Influenced many composers Widely studied in music education |
| gptkbp:cultural_significance |
Part of Western classical music canon
|
| gptkbp:dedicated_to |
Dmitri Shostakovich's son
|
| gptkbp:dedication |
gptkb:Prince_Joseph_Franz_Maximilian_Lobkowitz
gptkb:Maria_Anna_Walburga_Ignatia_Mozart |
| gptkbp:duration |
approximately 20 minutes
|
| gptkbp:first_performance |
1778
|
| gptkbp:focuses_on |
Commonly studied in music schools
|
| gptkbp:form |
Theme and variations in second movement
Sonata-allegro form in first movement Rondo in third movement |
| gptkbp:historical_context |
Composed during Beethoven's early period
Various interpretations by pianists Composed during Beethoven's early career Composed during Mozart's time in Paris |
| gptkbp:historical_significance |
Represents transition in Beethoven's style
|
| https://www.w3.org/2000/01/rdf-schema#label |
Piano Sonata No. 8
|
| gptkbp:influence |
Romantic music
|
| gptkbp:influenced |
Later piano sonatas by Beethoven
Piano compositions by Liszt Piano works by Chopin Romantic piano sonatas |
| gptkbp:influenced_by |
gptkb:Mozart
Personal experiences of Mozart |
| gptkbp:influences |
Romantic music
Sonata form |
| gptkbp:inspiration |
Personal struggles of Beethoven
|
| gptkbp:inspired |
Many composers
|
| gptkbp:key |
C minor
D minor A minor |
| gptkbp:legacy |
Considered a staple of the piano repertoire
Part of classical music canon Studied by music students Considered a staple of piano repertoire Frequently included in competitions Performed by professional pianists |
| gptkbp:movement |
gptkb:Allegro
gptkb:3 gptkb:Four gptkb:Andante_cantabile Rondo: Allegro Adagio cantabile Grave -Allegro |
| gptkbp:music_style |
Sonata form
|
| gptkbp:nickname |
gptkb:Pathétique
gptkb:Pathétique_Sonata |
| gptkbp:notable_for |
Emotional depth
|
| gptkbp:notable_performers |
gptkb:Lang_Lang
gptkb:Artur_Schnabel gptkb:Mitsuko_Uchida gptkb:Vladimir_Horowitz gptkb:Daniel_Barenboim gptkb:Alfred_Brendel gptkb:Yuja_Wang |
| gptkbp:notable_recordings |
gptkb:Beethoven:_The_Complete_Piano_Sonatas
Numerous recordings available Daniel Barenboim's recording Lang Lang's recording Mitsuko Uchida's recording Murray Perahia's recording András Schiff's recording Angela Hewitt's recording Beethoven: The Piano Sonatas by Alfred Brendel Beethoven: The Piano Sonatas by Artur Schnabel Beethoven: The Piano Sonatas by Daniel Barenboim Beethoven: The Piano Sonatas by Mitsuko Uchida Yuja Wang's recording Alfred Brendel's recording Dinu Lipatti's recording Evgeny Kissin's recording Hélène Grimaud's recording Igor Levit's recording Khatia Buniatishvili's recording Leif Ove Andsnes's recording Marc-André Hamelin's recording Stephen Hough's recording Yefim Bronfman's recording Nikolai Lugansky's recording Jean-Yves Thibaudet's recording Radu Lupu's recording Sviatoslav Richter's recording Vladimir Horowitz's recording Daniil Trifonov's recording Artur Schnabel's recording Sergei Rachmaninoff's recording Clara Haskil's recording Yuja Wang's recording of the complete sonatas. |
| gptkbp:opus_number |
gptkb:K._310
Op. 13 |
| gptkbp:part_of |
Beethoven's early piano sonatas
|
| gptkbp:performance |
Commonly performed in recitals
Frequently performed in recitals Requires advanced piano skills |
| gptkbp:performed_by |
Many pianists
|
| gptkbp:premiered_on |
gptkb:1944
|
| gptkbp:published_by |
1781
Artaria |
| gptkbp:published_year |
1799
|
| gptkbp:record_label |
Various classical music labels
|
| gptkbp:recorded_by |
Numerous artists
|
| gptkbp:related_works |
gptkb:Piano_Sonata_No._7
gptkb:Piano_Sonata_No._9 |
| gptkbp:signature_move |
Use of contrasting themes
Opening motif |
| gptkbp:style |
Classical
|
| gptkbp:thematic_element |
Contrasting lyrical and vigorous sections
|
| gptkbp:theme |
Explores themes of struggle and triumph
|
| gptkbp:year_composed |
1778
|
| gptkbp:bfsParent |
gptkb:Philip_Glass
|
| gptkbp:bfsLayer |
3
|