Piano Sonata No. 7 in D major, Op. 10, No. 3
GPTKB entity
Statements (52)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:Piano_Sonata
|
| gptkbp:bfsLayer |
4
|
| gptkbp:bfsParent |
gptkb:Ludwig_van_Beethoven
gptkb:Beethoven |
| gptkbp:analysis |
Interpreted in various styles
Considered a significant work Discussed in music theory Analyzed for its structure Examined for its themes |
| gptkbp:characteristics |
Dynamic contrasts
Harmonic exploration Melodic development Rhythmic variety Contrast between movements |
| gptkbp:composer |
gptkb:Ludwig_van_Beethoven
|
| gptkbp:cultural_impact |
Influence on later composers
Studied in music education Popular in concert repertoire Performed in competitions Recorded by many pianists |
| gptkbp:dedication |
gptkb:Countess_Anna_Margarete_von_Browne
|
| gptkbp:duration |
approximately 20 minutes
|
| gptkbp:form |
Three movements
Sonata form |
| gptkbp:genre |
gptkb:Piano_Sonata
|
| gptkbp:historical_context |
Late 18th century
Transition to Romanticism |
| https://www.w3.org/2000/01/rdf-schema#label |
Piano Sonata No. 7 in D major, Op. 10, No. 3
|
| gptkbp:influenced_by |
Classical music
|
| gptkbp:inspired_by |
Sonata form
|
| gptkbp:key |
D major
|
| gptkbp:legacy |
Influential in piano repertoire
Part of Beethoven's early piano sonatas Performed frequently in recitals Respected by musicians and scholars Studied for its compositional techniques |
| gptkbp:movement |
gptkb:Allegro
gptkb:Largo gptkb:3 |
| gptkbp:notable_performers |
gptkb:Artur_Schnabel
gptkb:Mitsuko_Uchida gptkb:Vladimir_Horowitz gptkb:Daniel_Barenboim gptkb:Alfred_Brendel |
| gptkbp:notable_recordings |
Multiple recordings available
|
| gptkbp:opus_number |
gptkb:10
|
| gptkbp:part_of |
Piano Sonata cycle
|
| gptkbp:performance |
gptkb:musician
Solo performance |
| gptkbp:published_by |
Artaria
|
| gptkbp:published_year |
1798
|
| gptkbp:style |
Classical
|