|
gptkbp:instance_of
|
gptkb:Piano_Sonata
|
|
gptkbp:bfsLayer
|
4
|
|
gptkbp:bfsParent
|
gptkb:Robert_Schumann
|
|
gptkbp:analysis
|
Often analyzed in musicology
Form and structure studied in music theory
|
|
gptkbp:characteristics
|
Complex harmonies
Dynamic contrasts
Lyrical melodies
Technical demands
|
|
gptkbp:composer
|
gptkb:Ludwig_van_Beethoven
|
|
gptkbp:cultural_significance
|
Important work in piano repertoire
|
|
gptkbp:dedication
|
gptkb:Countess_Anna_Margarete_von_Browne
|
|
gptkbp:duration
|
approximately 20 minutes
|
|
gptkbp:first_performance
|
1798
|
|
gptkbp:historical_context
|
Early Beethoven period
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Piano Sonata No. 3 in F major, Op. 14
|
|
gptkbp:influenced
|
Romantic composers
|
|
gptkbp:influenced_by
|
Classical music
|
|
gptkbp:inspiration
|
Personal experiences of Beethoven
|
|
gptkbp:key
|
F major
|
|
gptkbp:movement
|
gptkb:Allegro
gptkb:3
gptkb:Adagio
|
|
gptkbp:next_edition
|
1798
|
|
gptkbp:notable_features
|
Emotional depth
Use of motifs
Influence on later composers
Use of counterpoint
Use of silence
Thematic development
Harmonic exploration
Expressive phrasing
Melodic invention
Use of dynamics
Structural clarity
Rhythmic variety
Contrast between movements
Integration of themes
|
|
gptkbp:notable_recordings
|
gptkb:Artur_Schnabel
gptkb:Vladimir_Ashkenazy
gptkb:Mitsuko_Uchida
gptkb:Daniel_Barenboim
gptkb:Emil_Gilels
|
|
gptkbp:opus_number
|
gptkb:14
|
|
gptkbp:part_of
|
Beethoven's piano sonatas
|
|
gptkbp:performance
|
Commonly performed in recitals
|
|
gptkbp:performed_by
|
Pianists
|
|
gptkbp:published_by
|
Artaria
|
|
gptkbp:published_year
|
1798
|
|
gptkbp:recorded_by
|
Many classical labels
|
|
gptkbp:related_to
|
gptkb:Piano_Sonata_No._2_in_A_major,_Op._2
gptkb:Piano_Sonata_No._4_in_E-flat_major,_Op._7
|
|
gptkbp:style
|
Sonata form
|