Piano Sonata No. 32, Op. 111
GPTKB entity
Statements (40)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:Piano_Sonata
|
| gptkbp:bfsLayer |
5
|
| gptkbp:bfsParent |
gptkb:The_Tempest,_Op._109
|
| gptkbp:analysis |
Interpreted in various styles
Often analyzed for its structure Examined for thematic development Considered a pinnacle of piano literature Discussed in musicology |
| gptkbp:characteristics |
Emotional depth
Spirituality Use of counterpoint Innovative structure Contrasting themes |
| gptkbp:composer |
gptkb:Ludwig_van_Beethoven
|
| gptkbp:cultural_impact |
Influence on later composers
Performed in major concert halls Studied in music schools Featured in competitions Part of piano repertoire |
| gptkbp:dedication |
gptkb:Archduke_Rudolf_of_Austria
|
| gptkbp:first_performance |
1822
|
| gptkbp:form |
Sonata form
|
| https://www.w3.org/2000/01/rdf-schema#label |
Piano Sonata No. 32, Op. 111
|
| gptkbp:influence |
Romantic music
|
| gptkbp:key |
C minor
|
| gptkbp:legacy |
Symbol of artistic freedom
Celebrated in classical music circles Influenced the development of sonata form Performed by renowned pianists worldwide Regarded as one of Beethoven's greatest works |
| gptkbp:movement |
2
A flat major |
| gptkbp:notable_recordings |
gptkb:Artur_Schnabel
gptkb:Mitsuko_Uchida gptkb:Daniel_Barenboim gptkb:András_Schiff gptkb:Wilhelm_Kempff |
| gptkbp:opus_number |
111
|
| gptkbp:style |
Late style of Beethoven
|
| gptkbp:year_composed |
1821
|