Statements (63)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:Piano_Sonata
|
| gptkbp:bfsLayer |
4
|
| gptkbp:bfsParent |
gptkb:Ludwig_van_Beethoven
gptkb:Beethoven gptkb:Darius_Milhaud gptkb:Sergei_Prokofiev gptkb:Pierre_Boulez |
| gptkbp:characteristics |
Emotional expression
Simple melodies Sonata form Use of ornamentation Use of motifs Clear structure Dynamic contrasts Influence on later composers Recapitulation Technical challenges Use of silence Contrasting themes Harmonic exploration Melodic development Thematic transformation Varied textures Expressive phrasing Expressive dynamics Contrapuntal elements Use of cadences Pedaling techniques Rhythmic variety Articulation techniques Piano techniques Development sections Use of Alberti bass |
| gptkbp:composer |
gptkb:Wolfgang_Amadeus_Mozart
|
| gptkbp:cultural_impact |
Widely taught in music schools
|
| gptkbp:dedicated_to |
gptkb:None
|
| gptkbp:difficulty |
Intermediate
|
| gptkbp:duration |
approximately 15 minutes
|
| gptkbp:first_performance |
1788
|
| gptkbp:historical_context |
Late 18th century
|
| https://www.w3.org/2000/01/rdf-schema#label |
Piano Sonata No. 16
|
| gptkbp:influenced |
Classical music
|
| gptkbp:inspired |
Many pianists
|
| gptkbp:key |
C major
|
| gptkbp:movement |
gptkb:Allegretto
gptkb:Allegro gptkb:Andante gptkb:3 |
| gptkbp:notable_for |
Accessibility for students
|
| gptkbp:notable_recordings |
Daniel Barenboim's recording
Lang Lang's recording Murray Perahia's recording Yuja Wang's recording Alfred Brendel's recording |
| gptkbp:opus_number |
gptkb:K._545
|
| gptkbp:part_of |
Sonatas for piano
|
| gptkbp:performed_by |
Amateurs and professionals alike
|
| gptkbp:published_by |
gptkb:Piano_Sonatas,_K._545
1788 |
| gptkbp:recorded_by |
gptkb:Various_artists
|
| gptkbp:related_to |
gptkb:Piano_Sonata_No._15
gptkb:Piano_Sonata_No._17 |
| gptkbp:style |
Classical
|