|
gptkbp:instance_of
|
gptkb:Piano_Sonata
|
|
gptkbp:analysis
|
Motivic development
Rhythmic complexity
Emotional range
Thematic transformation
Harmonic structure
|
|
gptkbp:character
|
Energetic and lyrical
|
|
gptkbp:composer
|
gptkb:Ludwig_van_Beethoven
|
|
gptkbp:cultural_significance
|
Important work in piano repertoire
|
|
gptkbp:dedication
|
gptkb:Countess_Anna_Margarete_von_Browne
|
|
gptkbp:difficulty
|
Intermediate
|
|
gptkbp:duration
|
approximately 20 minutes
|
|
gptkbp:first_performance
|
1796
|
|
gptkbp:first_published
|
1796
|
|
gptkbp:form
|
Three-movement structure
|
|
gptkbp:historical_context
|
Early Beethoven period
Varied among pianists
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Piano Sonata No. 11 in B major, Op. 2
|
|
gptkbp:influences
|
Classical music
|
|
gptkbp:inspiration
|
gptkb:Mozart's_piano_sonatas
|
|
gptkbp:key
|
B major
|
|
gptkbp:legacy
|
Influenced later composers
Studied in music conservatories
Performed in competitions
Part of classical piano repertoire
Recorded extensively
|
|
gptkbp:movement
|
gptkb:Allegretto
gptkb:3
gptkb:Allegro_con_brio
gptkb:Adagio
|
|
gptkbp:music_style
|
gptkb:Counterpoint
Theme and variations
Recapitulation
Cadenza
Development section
|
|
gptkbp:notable_recordings
|
gptkb:Artur_Schnabel
gptkb:Vladimir_Ashkenazy
gptkb:Mitsuko_Uchida
gptkb:Daniel_Barenboim
gptkb:Alfred_Brendel
|
|
gptkbp:opus_number
|
Op. 2
|
|
gptkbp:performance
|
Dynamics
Articulation
Rubato
Pedaling techniques
|
|
gptkbp:performed_by
|
Various pianists
|
|
gptkbp:published_year
|
1796
|
|
gptkbp:related_works
|
gptkb:Piano_Sonata_No._12_in_A_flat_major,_Op._26
gptkb:Piano_Sonata_No._10_in_G_major,_Op._14
|
|
gptkbp:style
|
Sonata form
|
|
gptkbp:bfsParent
|
gptkb:Maurizio_Pollini
|
|
gptkbp:bfsLayer
|
5
|