Statements (61)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:piano
|
| gptkbp:analysis |
Often analyzed in music theory courses
|
| gptkbp:artistic_influence |
Influenced by Haydn and Mozart
|
| gptkbp:artistic_innovation |
Innovative for its time
|
| gptkbp:challenges |
Requires advanced piano technique
|
| gptkbp:characteristics |
Complex counterpoint
|
| gptkbp:composer |
gptkb:Ludwig_van_Beethoven
|
| gptkbp:contrapuntal_techniques |
Utilizes counterpoint extensively
|
| gptkbp:cultural_impact |
Influenced piano composition
Influenced the development of piano sonatas |
| gptkbp:cultural_significance |
Part of Western classical music canon
|
| gptkbp:dedication |
gptkb:Prince_Joseph_Franz_Maximilian_Lobkowitz
|
| gptkbp:depth |
Expressive and dramatic
|
| gptkbp:duration |
approximately 30 minutes
|
| gptkbp:features_song |
Dramatic contrasts and lyrical passages
|
| gptkbp:first_performance |
1801
|
| gptkbp:form |
Sonata form
|
| gptkbp:has_reception |
Well-received by audiences and critics
|
| gptkbp:historical_context |
Composed during Beethoven's early period
Reflects early 19th-century musical trends |
| gptkbp:historical_interpretation |
Subject to various interpretations
|
| gptkbp:historical_significance |
Represents transition in Beethoven's style
|
| https://www.w3.org/2000/01/rdf-schema#label |
Piano Sonata, Op. 26
|
| gptkbp:influence |
Influenced later composers
|
| gptkbp:inspiration |
Inspired by classical sonata form
|
| gptkbp:key |
A-flat major
|
| gptkbp:legacy |
Continues to be a staple in piano repertoire
|
| gptkbp:libretto |
Includes cadenza-like passages
|
| gptkbp:motif |
Recurring thematic material
|
| gptkbp:music_style |
Expressive and lyrical
Sonata-allegro form in first movement Four distinct movements Commonly analyzed in musicology studies Demands advanced finger dexterity |
| gptkbp:musical_elements |
Rich harmonic language
|
| gptkbp:next_edition |
Edited by various musicologists
|
| gptkbp:notable_interpreters |
gptkb:Wilhelm_Kempff
|
| gptkbp:notable_performances |
Performed by many renowned pianists
Mitsuko Uchida's interpretation |
| gptkbp:notable_recordings |
Artur Schnabel's recording
|
| gptkbp:number_of_movements |
gptkb:4
|
| gptkbp:opus_number |
gptkb:26
|
| gptkbp:performance |
Varied interpretations by performers
Frequently performed in recitals |
| gptkbp:published |
1801
|
| gptkbp:publisher |
Artaria
|
| gptkbp:recordings |
Numerous recordings available
|
| gptkbp:related_works |
gptkb:Piano_Sonata_No._27,_Op._90
|
| gptkbp:repertoire |
Standard repertoire for pianists.
|
| gptkbp:second_movement |
gptkb:Allegro
gptkb:Adagio Scherzo: Allegro |
| gptkbp:significance |
Important work in Beethoven's early piano repertoire
|
| gptkbp:style |
Classical
|
| gptkbp:thematic_element |
Utilizes motifs throughout movements
Develops themes throughout movements |
| gptkbp:theme |
Explores contrasting themes
|
| gptkbp:themes |
Melodic and harmonic exploration
|
| gptkbp:year_composed |
1800
|
| gptkbp:bfsParent |
gptkb:Samuel_Barber
|
| gptkbp:bfsLayer |
5
|