Statements (57)
Predicate | Object |
---|---|
gptkbp:instance_of |
gptkb:musical_composition
|
gptkbp:bfsLayer |
5
|
gptkbp:bfsParent |
gptkb:Ernő_Dohnányi
|
gptkbp:characteristics |
use of counterpoint
thematic development dynamic contrasts use of motifs lyrical melodies expressive depth rich harmonies dramatic contrasts expressive phrasing use of silence emotional range rhythmic vitality contrasting themes structural complexity contrapuntal textures emphasis on melody harmonic exploration interplay between instruments colorful instrumentation virtuosic piano parts influence of folk music recapitulation section lyrical second theme coda section dialogue between piano and strings |
gptkbp:composer |
gptkb:Robert_Schumann
|
gptkbp:cultural_significance |
important work in chamber music repertoire
|
gptkbp:dedication |
to Clara Schumann
|
gptkbp:duration |
approximately 30 minutes
|
gptkbp:filming_location |
gptkb:Leipzig
|
gptkbp:form |
sonata form
|
gptkbp:genre |
gptkb:orchestra
|
https://www.w3.org/2000/01/rdf-schema#label |
Piano Quintet in C major
|
gptkbp:influenced |
later composers
|
gptkbp:influences |
gptkb:Beethoven
|
gptkbp:instrument |
gptkb:musician
|
gptkbp:key |
C major
|
gptkbp:movement |
gptkb:Allegro
gptkb:4 Scherzo: Allegro Allegro, ma non troppo In modo d'una Marcia |
gptkbp:notable_performers |
gptkb:Joshua_Bell
gptkb:Mstislav_Rostropovich gptkb:Yuja_Wang gptkb:Emil_Gilels gptkb:Bernstein |
gptkbp:notable_recordings |
gptkb:Deutsche_Grammophon
gptkb:Sony_Classical gptkb:EMI_Classics |
gptkbp:premiere_date |
1843
|
gptkbp:published_by |
gptkb:Schott_Music
|
gptkbp:style |
Romantic
|
gptkbp:year_composed |
1842
|