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gptkbp:instance_of
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gptkb:Piano_Sonata
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gptkbp:characteristics
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lyrical melodies
virtuosic passages
dialogue between piano and orchestra
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gptkbp:composed_of
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often improvised
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gptkbp:composer
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gptkb:Wolfgang_Amadeus_Mozart
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gptkbp:cultural_significance
|
important in classical repertoire
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gptkbp:dedication
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gptkb:Maria_Anna_Walburga_Ignatia_Mozart
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gptkbp:duration
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approximately 30 minutes
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gptkbp:filming_location
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gptkb:Vienna
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gptkbp:first_performance
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1784
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gptkbp:historical_context
|
gptkb:Vienna
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|
https://www.w3.org/2000/01/rdf-schema#label
|
Piano Concerto No. 16 in G major
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gptkbp:influenced
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gptkb:musician
|
|
gptkbp:influenced_artists
|
later classical composers
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gptkbp:influenced_by
|
Classical music
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gptkbp:is_analyzed_in
|
musicologists
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gptkbp:is_cited_in
|
as a model for concertos.
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gptkbp:is_discussed_in
|
in music theory classes
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gptkbp:is_featured_in
|
music festivals
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gptkbp:is_often_associated_with
|
recital programs
in music literature
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|
gptkbp:is_often_used_in
|
historical performances
piano competitions
chamber orchestras
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gptkbp:is_studied_in
|
music students
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gptkbp:key
|
G major
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gptkbp:movement
|
gptkb:Allegro
gptkb:Andante
gptkb:3
Allegro assai
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|
gptkbp:notable_feature
|
thematic development
orchestral color
piano technique
|
|
gptkbp:notable_features
|
rich harmonic language
use of humor
contrast of themes
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|
gptkbp:notable_recordings
|
gptkb:Murray_Perahia
gptkb:Daniel_Barenboim
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gptkbp:opus_number
|
K. 451
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gptkbp:orchestration
|
piano, strings, and orchestra
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gptkbp:part_of
|
gptkb:Mozart's_piano_concertos
standard concert repertoire
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gptkbp:performed_by
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many orchestras
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gptkbp:performer
|
gptkb:musician
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gptkbp:published_by
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gptkb:1785
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gptkbp:recorded_by
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many artists
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gptkbp:related_works
|
gptkb:Piano_Concerto_No._15_in_B-flat_major
gptkb:Piano_Concerto_No._17_in_G_major
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gptkbp:style
|
Classical
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gptkbp:bfsParent
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gptkb:Béla_Liszt
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gptkbp:bfsLayer
|
5
|