|
gptkbp:instance_of
|
gptkb:film
|
|
gptkbp:awards
|
Nominated for 1 Academy Award
|
|
gptkbp:based_on
|
gptkb:play
|
|
gptkbp:box_office
|
$97 million
|
|
gptkbp:budget
|
$13 million
|
|
gptkbp:character
|
gptkb:The_Caller
gptkb:Police_Officer_Ramey
gptkb:Detective_Fontana
gptkb:Stu_Shepard
Pamela Mc Fadden
|
|
gptkbp:cinematography_by
|
gptkb:Matthew_Libatique
|
|
gptkbp:critical_reception
|
Mixed reviews
|
|
gptkbp:cultural_impact
|
Referenced in various media.
|
|
gptkbp:directed_by
|
gptkb:Joel_Schumacher
|
|
gptkbp:distributor
|
gptkb:20th_Century_Fox
|
|
gptkbp:edited_by
|
gptkb:Mark_Stevens
|
|
gptkbp:film_technique
|
Single location
|
|
gptkbp:filming_location
|
gptkb:Los_Angeles
|
|
gptkbp:genre
|
gptkb:Thriller
|
|
gptkbp:home_media_release
|
gptkb:DVD
gptkb:Blu-ray
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Phone Booth
|
|
gptkbp:influenced_by
|
gptkb:The_Phone_Booth_Play
Crisis situations.
Psycho-thrillers.
Psychological tension.
|
|
gptkbp:inspiration
|
Based on a real-life incident.
|
|
gptkbp:language
|
English
|
|
gptkbp:music_by
|
gptkb:Harry_Gregson-Williams
|
|
gptkbp:narrative_style
|
Real-time
|
|
gptkbp:plot
|
A man is trapped in a phone booth and threatened by a sniper.
|
|
gptkbp:premiere
|
gptkb:Los_Angeles
|
|
gptkbp:produced_by
|
gptkb:Joel_Schumacher
gptkb:Scott_Frank
gptkb:Michael_H._Weber
|
|
gptkbp:production_company
|
gptkb:Columbia_Pictures
gptkb:Fox_2000_Pictures
Schumacher Company
|
|
gptkbp:rating
|
gptkb:R
Metacritic score 54.
Rotten Tomatoes score 61%.
|
|
gptkbp:release_date
|
April 5, 2002
|
|
gptkbp:released_in
|
gptkb:2002
|
|
gptkbp:runtime
|
81 minutes
|
|
gptkbp:screenings
|
gptkb:Sundance_Film_Festival
|
|
gptkbp:screenplay_by
|
gptkb:Larry_Cohen
|
|
gptkbp:set_in
|
gptkb:New_York_City
|
|
gptkbp:soundtrack
|
Released in 2002
|
|
gptkbp:starring
|
gptkb:Kiefer_Sutherland
gptkb:Forest_Whitaker
gptkb:Radha_Mitchell
gptkb:Colin_Farrell
|
|
gptkbp:theme
|
gptkb:Isolation
|
|
gptkbp:bfsParent
|
gptkb:Colin_Farrell
|
|
gptkbp:bfsLayer
|
4
|