Statements (23)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
gptkb:book
|
| gptkbp:author |
gptkb:Theodor_W._Adorno
|
| gptkbp:countryOfOrigin |
gptkb:Germany
|
| gptkbp:focus |
analysis of Schoenberg and Stravinsky
|
| gptkbp:genre |
gptkb:philosophy
musicology |
| https://www.w3.org/2000/01/rdf-schema#label |
Philosophie der neuen Musik
|
| gptkbp:influencedBy |
gptkb:Hegel
gptkb:Karl_Marx gptkb:Sigmund_Freud gptkb:Schoenberg gptkb:Stravinsky |
| gptkbp:language |
gptkb:German
|
| gptkbp:notableIdea |
critique of culture industry
dialectics in music |
| gptkbp:publicationYear |
1949
|
| gptkbp:publisher |
gptkb:Suhrkamp_Verlag
|
| gptkbp:subject |
aesthetics
modern music music philosophy |
| gptkbp:translatedInto |
gptkb:Philosophy_of_New_Music
|
| gptkbp:bfsParent |
gptkb:Philosophy_of_New_Music
|
| gptkbp:bfsLayer |
5
|