|
gptkbp:instanceOf
|
musical film
|
|
gptkbp:boxOffice
|
$3.1 million
|
|
gptkbp:budget
|
$1.5 million
|
|
gptkbp:character
|
gptkb:Winslow_Leach
gptkb:Phoenix
gptkb:The_Phantom
gptkb:Swan
Gus
|
|
gptkbp:cinematographyBy
|
gptkb:Larry_Pizer
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:criticalReception
|
Mixed to positive
|
|
gptkbp:director
|
gptkb:Brian_De_Palma
|
|
gptkbp:editor
|
gptkb:Paul_Hirsch
|
|
gptkbp:filmFestival
|
gptkb:Cannes_Film_Festival
|
|
gptkbp:genre
|
rock musical
|
|
gptkbp:homeMediaRelease
|
Yes
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Phantom of the Paradise
|
|
gptkbp:influencedBy
|
Rock music
Theatre
|
|
gptkbp:influences
|
Gothic horror
|
|
gptkbp:inspiration
|
The Phantom of the Opera
|
|
gptkbp:language
|
English
|
|
gptkbp:legacy
|
Influenced later films and musicals.
|
|
gptkbp:musicBy
|
gptkb:Paul_Williams
|
|
gptkbp:notableSong
|
“I’ll Take You There”
“Old Souls”
“Special to Me”
“Faust”
“Life_at_Last”
“The_Hell_of_It”
“The_Music_of_the_Night”
“The_Phantom’s_Song”
|
|
gptkbp:plot
|
A disfigured composer seeks revenge against the rock star who stole his music.
|
|
gptkbp:politicalPosition
|
Yes
|
|
gptkbp:productionCompany
|
gptkb:Edgar_Wright_Productions
|
|
gptkbp:releaseYear
|
1974
|
|
gptkbp:remake
|
No
|
|
gptkbp:screenplayBy
|
gptkb:Brian_De_Palma
|
|
gptkbp:setting
|
a music venue
|
|
gptkbp:soundtrack
|
Yes
|
|
gptkbp:starring
|
gptkb:Paul_Williams
gptkb:Jessica_Harper
gptkb:William_Finley
|
|
gptkbp:theme
|
Identity
Love
Revenge
|