Statements (49)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:play
|
| gptkbp:bfsLayer |
6
|
| gptkbp:bfsParent |
gptkb:In-Yer-Face_Theatre
|
| gptkbp:adaptation |
film adaptations exist
stage adaptations exist Phaedra by Euripides radio adaptations exist |
| gptkbp:author |
gptkb:Sarah_Kane
|
| gptkbp:character_development |
gptkb:moral_ambiguity
complex characters psychological depth |
| gptkbp:critical_reception |
controversial
|
| gptkbp:cultural_impact |
discussed in academic circles
analyzed in literature courses performed in educational settings inspired artistic interpretations influenced feminist discourse |
| gptkbp:filming_location |
gptkb:Royal_Court_Theatre
|
| gptkbp:first_performance |
gptkb:1996
|
| gptkbp:genre |
gptkb:earthquake
|
| https://www.w3.org/2000/01/rdf-schema#label |
Phaedra's Love
|
| gptkbp:influenced |
contemporary theatre
modern adaptations of Greek tragedies |
| gptkbp:influenced_by |
gptkb:mythological_figure
|
| gptkbp:inspiration |
personal experiences of the author
|
| gptkbp:language |
English
|
| gptkbp:notable_character |
gptkb:Hippolytus
gptkb:Phaedra gptkb:Theseus gptkb:Oenone Strophe |
| gptkbp:notable_production |
2000 production at the Gate Theatre
2016 production at the National Theatre 2010 production at the Lyric Hammersmith 2018 production at the Royal Court Theatre |
| gptkbp:performance |
performed internationally
|
| gptkbp:published_by |
gptkb:1996
|
| gptkbp:setting |
modern society
|
| gptkbp:style |
absurdist
|
| gptkbp:symbolism |
gptkb:the_Minotaur
the sea the mirror the labyrinth |
| gptkbp:theme |
obsession
|
| gptkbp:themes |
gptkb:betrayal
gptkb:cemetery love desire guilt |