gptkbp:instanceOf
|
fictional character
|
gptkbp:adaptation
|
theatrical play
|
gptkbp:appearsIn
|
gptkb:The_Bitter_Tears_of_Petra_von_Kant
|
gptkbp:artwork
|
avant-garde
long takes
|
gptkbp:associatedWith
|
Marianne
to her mother
Karin Thimm
|
gptkbp:audience
|
polarizing
|
gptkbp:character
|
anti-hero
|
gptkbp:characterAppearance
|
internal struggle
|
gptkbp:characterArc
|
self-discovery
|
gptkbp:characterDevelopment
|
complex
|
gptkbp:characterTraits
|
narcissism
desire for control
|
gptkbp:cinematographyBy
|
gptkb:Michael_Ballhaus
|
gptkbp:colors
|
monochrome
|
gptkbp:conflict
|
personal and professional struggles
|
gptkbp:createdBy
|
gptkb:Rainer_Werner_Fassbinder
|
gptkbp:criticalReception
|
cult classic
|
gptkbp:culturalImpact
|
influenced LGBTQ+ cinema
|
gptkbp:culturalSignificance
|
feminist icon
|
gptkbp:depicts
|
emotional turmoil
female relationships
the cost of success
love and power
|
gptkbp:explores
|
identity
feminine identity
sexuality
artistic ambition
|
gptkbp:features
|
minimalist set design
|
gptkbp:filmography
|
none
drama
psychological realism
|
gptkbp:gender
|
female
|
https://www.w3.org/2000/01/rdf-schema#label
|
Petra von Kant
|
gptkbp:humanInteraction
|
despair
|
gptkbp:influence
|
Feminist film theory
|
gptkbp:influenced
|
subsequent filmmakers
|
gptkbp:influencedBy
|
gptkb:German_Expressionism
gptkb:French_New_Wave
gptkb:German_New_Cinema
theatre of the absurd
Brechtian theatre
|
gptkbp:inspiration
|
Rainer_Werner_Fassbinder's_own_life
|
gptkbp:language
|
intense
|
gptkbp:legacy
|
influential in queer cinema
|
gptkbp:narrativeStyle
|
non-linear
|
gptkbp:nationality
|
German
|
gptkbp:notableQuote
|
"I am a woman who has everything."
|
gptkbp:occupation
|
fashion designer
|
gptkbp:portrayedBy
|
gptkb:Margit_Carstensen
|
gptkbp:premieredOn
|
1972
|
gptkbp:setting
|
1970s Germany
|
gptkbp:soundtrack
|
original_score_by_Peer_Raben
|
gptkbp:style
|
minimalist
|
gptkbp:symbolism
|
isolation
|
gptkbp:thematicElement
|
power dynamics
|
gptkbp:theme
|
unrequited love
|
gptkbp:visitors
|
intimate
|