Petra von Kant

GPTKB entity

Statements (60)
Predicate Object
gptkbp:instanceOf fictional character
gptkbp:adaptation theatrical play
gptkbp:appearsIn gptkb:The_Bitter_Tears_of_Petra_von_Kant
gptkbp:artwork avant-garde
long takes
gptkbp:associatedWith Marianne
to her mother
Karin Thimm
gptkbp:audience polarizing
gptkbp:character anti-hero
gptkbp:characterAppearance internal struggle
gptkbp:characterArc self-discovery
gptkbp:characterDevelopment complex
gptkbp:characterTraits narcissism
desire for control
gptkbp:cinematographyBy gptkb:Michael_Ballhaus
gptkbp:colors monochrome
gptkbp:conflict personal and professional struggles
gptkbp:createdBy gptkb:Rainer_Werner_Fassbinder
gptkbp:criticalReception cult classic
gptkbp:culturalImpact influenced LGBTQ+ cinema
gptkbp:culturalSignificance feminist icon
gptkbp:depicts emotional turmoil
female relationships
the cost of success
love and power
gptkbp:explores identity
feminine identity
sexuality
artistic ambition
gptkbp:features minimalist set design
gptkbp:filmography none
drama
psychological realism
gptkbp:gender female
https://www.w3.org/2000/01/rdf-schema#label Petra von Kant
gptkbp:humanInteraction despair
gptkbp:influence Feminist film theory
gptkbp:influenced subsequent filmmakers
gptkbp:influencedBy gptkb:German_Expressionism
gptkb:French_New_Wave
gptkb:German_New_Cinema
theatre of the absurd
Brechtian theatre
gptkbp:inspiration Rainer_Werner_Fassbinder's_own_life
gptkbp:language intense
gptkbp:legacy influential in queer cinema
gptkbp:narrativeStyle non-linear
gptkbp:nationality German
gptkbp:notableQuote "I am a woman who has everything."
gptkbp:occupation fashion designer
gptkbp:portrayedBy gptkb:Margit_Carstensen
gptkbp:premieredOn 1972
gptkbp:setting 1970s Germany
gptkbp:soundtrack original_score_by_Peer_Raben
gptkbp:style minimalist
gptkbp:symbolism isolation
gptkbp:thematicElement power dynamics
gptkbp:theme unrequited love
gptkbp:visitors intimate