Statements (98)
Predicate | Object |
---|---|
gptkbp:instance_of |
gptkb:musical_composition
|
gptkbp:associated_with |
modern classical music
|
gptkbp:available_in |
sheet music format
|
gptkbp:characteristics |
polyrhythms
complex rhythms dynamic contrasts textural variety |
gptkbp:composer |
gptkb:Iannis_Xenakis
|
gptkbp:cultural_aspect |
Greek culture
|
gptkbp:dedicated_to |
the goddess Persephone
|
gptkbp:duration |
approximately 30 minutes
|
gptkbp:explores |
spatial dynamics
the concept of time in music the relationship between sound and space the physicality of sound production |
gptkbp:features |
polyrhythms
|
gptkbp:genre |
contemporary classical music
|
gptkbp:historical_interpretation |
interpreted by various artists
|
https://www.w3.org/2000/01/rdf-schema#label |
Persephassa
|
gptkbp:influenced |
modern percussion music
contemporary percussion music future compositions for percussion the development of percussion techniques |
gptkbp:influenced_artists |
gptkb:Toru_Takemitsu
gptkb:Edgard_Varèse gptkb:Krzysztof_Penderecki gptkb:Steve_Reich gptkb:John_Cage |
gptkbp:influenced_by |
gptkb:Greek_mythology
mathematics in music |
gptkbp:inspired_by |
ancient rituals
the myth of Persephone |
gptkbp:instruments |
various percussion instruments
|
gptkbp:is_celebrated_for |
its innovative approach
|
gptkbp:is_recognized_as |
a significant work in percussion repertoire
|
gptkbp:is_recognized_for |
its contribution to avant-garde music.
|
gptkbp:notable_aspect |
cultural references
audience engagement rhythmic complexity thematic development use of silence use of unconventional instruments improvisational elements exploration of sound textures emphasis on percussion interaction between performers collaborative performance style exploration of rhythm and time. multi-dimensional sound space spatial arrangement of performers |
gptkbp:notable_collaborations |
with choreographers and visual artists
|
gptkbp:notable_collaborators |
various percussionists
|
gptkbp:notable_event |
featured in anniversary concerts
|
gptkbp:notable_features |
use of unconventional instruments
|
gptkbp:notable_for |
spatialization of sound
use of spatialization |
gptkbp:notable_influence |
on contemporary composers
|
gptkbp:notable_performance |
performed at the 1970 Donaueschingen Music Festival
|
gptkbp:notable_performances |
featured in music festivals
performed at various international festivals |
gptkbp:notable_recordings |
performed by the London Sinfonietta
available on various labels performed by the Ensemble Modern performed by the Ensemble Inter Contemporain performed by the Nieuw Ensemble performed by the Percussion Group Cincinnati |
gptkbp:notable_technique |
extended techniques
use of silence |
gptkbp:notable_traits |
dynamic contrasts
|
gptkbp:number_of_movements |
gptkb:3
|
gptkbp:part_of |
Xenakis' body of work
Xenakis' exploration of sound |
gptkbp:performances |
gptkb:6
|
gptkbp:performed_at |
concert halls worldwide
|
gptkbp:performed_by |
gptkb:chamber_music
gptkb:musical_group professional percussion ensembles |
gptkbp:performed_in |
educational settings
open-air settings various cultural contexts |
gptkbp:premiere |
gptkb:1970
|
gptkbp:premiere_date |
gptkb:1969
|
gptkbp:premiere_location |
gptkb:Domaine_de_Chamarande
|
gptkbp:published_by |
Salabert
|
gptkbp:recognized_by |
musicologists
|
gptkbp:recorded_by |
various ensembles
multiple ensembles |
gptkbp:requires |
precise coordination
|
gptkbp:reviews |
received critical acclaim
|
gptkbp:score |
gptkb:musical_group
|
gptkbp:style |
avant-garde
|
gptkbp:uses |
extended techniques
live electronics |
gptkbp:year_composed |
gptkb:1969
|
gptkbp:bfsParent |
gptkb:Iannis_Xenakis
gptkb:Xenakis'_music gptkb:Xenakis |
gptkbp:bfsLayer |
5
|