gptkbp:instance_of
|
gptkb:novel
gptkb:film
|
gptkbp:adaptation
|
gptkb:theatre
gptkb:1967
gptkb:1994
gptkb:2004
gptkb:book
gptkb:film
|
gptkbp:adapted_into
|
gptkb:film
|
gptkbp:author
|
gptkb:Juan_Rulfo
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gptkbp:awards
|
gptkb:Miguel_de_Cervantes_Prize
gptkb:Premio_Nacional_de_Literatura
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gptkbp:based_on
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gptkb:novel
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gptkbp:character
|
gptkb:Susana_San_Juan
gptkb:Pedro_Páramo
Dolores
the priest
Abundio
Donis
Eduviges Dyada
Dolores Preciado
Fulgor Sedano
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gptkbp:cinematography
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gptkb:Gabriel_Figueroa
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gptkbp:color
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black and white
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gptkbp:country
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gptkb:Mexico
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gptkbp:critical_reception
|
acclaimed
mixed reviews
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gptkbp:cultural_impact
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widely studied in literature courses
reference in popular culture
inspired various artistic works
influenced writers like Alejo Carpentier
influenced writers like Carlos Fuentes
influenced writers like Clarice Lispector
influenced writers like Gabriel García Márquez
influenced writers like Isabel Allende
influenced writers like Jorge Luis Borges
influenced writers like Julio Cortázar
influenced writers like Laura Esquivel
influenced writers like Mario Vargas Llosa
influenced writers like Octavio Paz
influenced writers like Roberto Bolaño
influential in magical realism
|
gptkbp:cultural_significance
|
important in Mexican cinema
|
gptkbp:depicts
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death and memory
|
gptkbp:directed_by
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gptkb:Carlos_Velo
|
gptkbp:distributor
|
Cinematográfica de México
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gptkbp:edited_by
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gptkb:Héctor_Castillo
|
gptkbp:explores
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themes of death
|
gptkbp:features
|
gptkb:mythological_figure
supernatural elements
magical elements
|
gptkbp:filmography
|
90 minutes
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gptkbp:first_published
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gptkb:Pedro_Páramo
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gptkbp:follows
|
gptkb:Juan_Preciado
|
gptkbp:genre
|
gptkb:High_School
magical realism
|
gptkbp:has_cameo
|
famous actors
|
gptkbp:has_theme
|
gptkb:TV_series
gptkb:philosopher
gptkb:award
gptkb:Magic:_The_Gathering_set
gptkb:betrayal
gptkb:existentialism
gptkb:justice
gptkb:loss
gptkb:loyalty
gptkb:Community_Center
gptkb:Saint
gptkb:archaeological_site
gptkb:mythological_figure
gptkb:military_conflict
gptkb:family
alienation
social issues
urbanization
hope
faith
suffering
nostalgia
redemption
forgiveness
modernity
rural life
truth
power dynamics
despair
tradition vs modernity
individual vs society
fate vs free will
nature vs nurture
|
https://www.w3.org/2000/01/rdf-schema#label
|
Pedro Páramo
|
gptkbp:influence
|
gptkb:Gabriel_García_Márquez
Latin American literature
|
gptkbp:influenced
|
gptkb:Author
postmodern literature
literary modernism
literary critics
Latin American filmmakers
|
gptkbp:influenced_by
|
gptkb:Mexican_Revolution
Mexican culture
rural life in Mexico
|
gptkbp:inspiration
|
gptkb:Gabriel_García_Márquez
|
gptkbp:inspired
|
other films
|
gptkbp:is_considered_as
|
a classic
|
gptkbp:language
|
gptkb:Spanish
|
gptkbp:main_character
|
gptkb:Juan_Preciado
|
gptkbp:motif
|
gptkb:festival
gptkb:loss
silence
|
gptkbp:music_by
|
gptkb:José_Alfredo_Jiménez
|
gptkbp:narrative_style
|
first-person
third-person
non-linear
|
gptkbp:notable_for
|
its visual style
|
gptkbp:notable_quote
|
“ I came to Comala because you were calling me.”
“ The dead don’t die. They are just forgotten.”
|
gptkbp:premiered_on
|
gptkb:film_festival
|
gptkbp:produced_by
|
Cinematográfica de México
|
gptkbp:published_by
|
gptkb:Editorial_Joaquín_Mortiz
gptkb:1955
|
gptkbp:release_year
|
gptkb:1967
|
gptkbp:remake
|
gptkb:Pedro_Páramo_(2004)
|
gptkbp:screenings
|
international film festivals
|
gptkbp:screenplay_by
|
gptkb:Carlos_Velo
|
gptkbp:set_in
|
Comala
|
gptkbp:setting
|
Comala
|
gptkbp:significance
|
pioneering work in magical realism
|
gptkbp:starring
|
gptkb:Ignacio_López_Tarso
gptkb:Dulce_María_Laredo
gptkb:Victor_Junco
|
gptkbp:style
|
lyrical
poetic
descriptive
|
gptkbp:symbolism
|
the river
the dead
the land
the voice
the ghosts
|
gptkbp:theme
|
gptkb:TV_series
gptkb:Magic:_The_Gathering_set
gptkb:superhero
gptkb:cemetery
|
gptkbp:translated_into
|
gptkb:French
gptkb:Italian
gptkb:language
gptkb:Native_American_tribe
English
|
gptkbp:bfsParent
|
gptkb:Juan_Rulfo
|
gptkbp:bfsLayer
|
4
|