gptkbp:instance_of
|
gptkb:film
|
gptkbp:bfsLayer
|
4
|
gptkbp:bfsParent
|
gptkb:The_Manhattan_Transfer
|
gptkbp:aspect_ratio
|
2.35:1
|
gptkbp:awards
|
gptkb:award
|
gptkbp:based_on
|
gptkb:The_Long_Goodbye
|
gptkbp:box_office
|
$10 million
|
gptkbp:budget
|
gptkb:$5_million
|
gptkbp:character
|
gptkb:Detective
gptkb:Philip_Marlowe
gptkb:superhero
gptkb:character
Marlowe's love interest
|
gptkbp:character_development
|
complex characters
|
gptkbp:cinematography
|
gptkb:Laszlo_Kovacs
|
gptkbp:color
|
gptkb:color
|
gptkbp:country
|
gptkb:United_States
|
gptkbp:critical_reception
|
mixed reviews
|
gptkbp:cultural_impact
|
cult following
|
gptkbp:directed_by
|
gptkb:Robert_Altman
|
gptkbp:distributor
|
gptkb:20th_Century_Fox
|
gptkbp:edited_by
|
gptkb:Gerald_B._Greenberg
|
gptkbp:features
|
gptkb:comic_book
|
gptkbp:filming_location
|
gptkb:California
|
gptkbp:follows
|
gptkb:The_Long_Goodbye
|
gptkbp:genre
|
gptkb:musical
|
gptkbp:home_media_release
|
gptkb:DJ
gptkb:film
|
https://www.w3.org/2000/01/rdf-schema#label
|
Pastiche (1978)
|
gptkbp:influenced
|
subsequent films
|
gptkbp:influenced_by
|
gptkb:literary_work
gptkb:film
American culture
Hollywood films
film noir
classic detective stories
|
gptkbp:language
|
English
|
gptkbp:music_by
|
gptkb:John_Williams
|
gptkbp:notable_appearance
|
opening sequence
final scene
climactic confrontation
|
gptkbp:notable_for
|
gptkb:musician
|
gptkbp:premiere
|
gptkb:film_festival
|
gptkbp:produced_by
|
gptkb:Robert_Altman
|
gptkbp:release_date
|
June 30, 1978
|
gptkbp:released_in
|
gptkb:1978
|
gptkbp:runtime
|
120 minutes
|
gptkbp:screenings
|
film festivals
|
gptkbp:screenplay_by
|
gptkb:Robert_Altman
|
gptkbp:set_in
|
gptkb:Los_Angeles
|
gptkbp:starring
|
gptkb:Elliott_Gould
gptkb:Julie_Christie
gptkb:Timothy_Bottoms
|
gptkbp:style
|
gptkb:postmodernism
|
gptkbp:themes
|
gptkb:TV_series
gptkb:Magic:_The_Gathering_set
gptkb:existentialism
nostalgia
|