|
gptkbp:instance_of
|
gptkb:musical_composition
|
|
gptkbp:bfsLayer
|
5
|
|
gptkbp:bfsParent
|
gptkb:Bach_Partitas
gptkb:Clavier-Übung_III
|
|
gptkbp:character
|
elegant and dance-like
|
|
gptkbp:composer
|
gptkb:Johann_Sebastian_Bach
|
|
gptkbp:dedicated_to
|
gptkb:Wilhelm_Friedemann_Bach
|
|
gptkbp:duration
|
approximately 20 minutes
|
|
gptkbp:form
|
gptkb:ballet
|
|
gptkbp:historical_context
|
written during Bach's time in Köthen
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Partita No. 5 in G major, BWV 829
|
|
gptkbp:influenced
|
jazz interpretations
later keyboard works
|
|
gptkbp:inspired
|
composers of the Classical period
|
|
gptkbp:instrumentation
|
harpsichord
|
|
gptkbp:is_analyzed_in
|
its structure
music theory studies
|
|
gptkbp:is_characterized_by
|
rich harmonies
contrapuntal textures
|
|
gptkbp:is_cited_in
|
musicological studies
|
|
gptkbp:is_considered_as
|
a masterpiece of Baroque music
|
|
gptkbp:is_featured_in
|
music festivals
|
|
gptkbp:is_often_associated_with
|
music literature
piano competitions
piano repertoire
|
|
gptkbp:is_often_compared_to
|
other Bach partitas
|
|
gptkbp:is_often_used_in
|
gptkb:High_School
by various artists
recitals and concerts
in solo recitals
|
|
gptkbp:is_studied_in
|
music students
|
|
gptkbp:key
|
G major
|
|
gptkbp:movement
|
gptkb:6
Allemande
Courante
Gigue
Menuets I and II
Sarabande
|
|
gptkbp:notable_for
|
its lyrical melodies
its technical demands
its dance forms
|
|
gptkbp:notable_recordings
|
gptkb:Glenn_Gould
gptkb:Murray_Perahia
gptkb:Yuja_Wang
gptkb:András_Schiff
gptkb:Angela_Hewitt
|
|
gptkbp:opus_number
|
829
|
|
gptkbp:part_of
|
gptkb:Clavier-Übung
gptkb:Bach's_keyboard_works
|
|
gptkbp:performed_by
|
many classical pianists
various arrangements
orchestras in arrangements
|
|
gptkbp:published_by
|
1731
|
|
gptkbp:repertoire
|
standard classical repertoire
|
|
gptkbp:style
|
gptkb:Baroque
|
|
gptkbp:type
|
partita
|