Statements (55)
Predicate | Object |
---|---|
gptkbp:instance_of |
gptkb:sculptures
|
gptkbp:associated_with |
the art of illusion
the city of Ephesus the Athenian school of painting the classical period of art the tradition of Greek painting |
gptkbp:contemporary |
gptkb:Socrates
|
gptkbp:depicted_in |
gptkb:historical_events
gptkb:the_Trojan_War gptkb:mythical_creatures epic tales mythological subjects the human form the lives of heroes |
gptkbp:famous_for |
his narrative style
his use of color his exploration of human emotion his innovative compositions his use of symbolism depicting emotions in his works his ability to create depth in paintings his ability to create lifelike figures his contributions to the visual arts. his innovative storytelling through art his innovative use of perspective |
gptkbp:famous_work |
The Contest of Ajax and Odysseus
|
https://www.w3.org/2000/01/rdf-schema#label |
Parrhasius
|
gptkbp:influenced |
gptkb:Byzantine_architecture
later Renaissance artists neoclassical artists modern painters Roman painters the development of portraiture |
gptkbp:influenced_by |
gptkb:Polygnotus
|
gptkbp:is_active_in |
5th century BC
|
gptkbp:known_for |
his innovative use of space
his attention to detail his dramatic lighting his legacy in art history his dramatic compositions his ability to convey movement his contributions to visual narrative his portrayal of gods and heroes his skill in painting |
gptkbp:medium |
tempera
|
gptkbp:notable_students |
gptkb:Zeuxis
|
gptkbp:notable_technique |
foreshortening
|
gptkbp:notable_work |
The Sacrifice of Alcestis
|
gptkbp:reputation |
considered one of the greatest painters of antiquity
|
gptkbp:sports_facilities |
gptkb:Athens
|
gptkbp:style |
realism
classical art |
gptkbp:technique |
use of chiaroscuro
|
gptkbp:bfsParent |
gptkb:Zeuxis
|
gptkbp:bfsLayer |
5
|